{"id":1222,"date":"2015-02-04T11:39:14","date_gmt":"2015-02-04T11:39:14","guid":{"rendered":"http:\/\/www.artsituacions.com\/?p=1222"},"modified":"2017-05-21T20:58:21","modified_gmt":"2017-05-21T20:58:21","slug":"jose-guerrero","status":"publish","type":"post","link":"https:\/\/www.artsituacions.com\/en\/artistas\/jose-guerrero\/","title":{"rendered":"Jos\u00e9 Guerrero"},"content":{"rendered":"<div id=\"authorInfo\">\n<div class=\"c1\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-1223\" src=\"http:\/\/www.artsituacions.com\/wp-content\/uploads\/2015\/02\/jose-guerrero.jpg\" alt=\"jose-guerrero\" width=\"200\" height=\"200\" \/><\/p>\n<ul class=\"tabs\">\n<li><a href=\"#\">Information<\/a><\/li>\n<li><a href=\"#\">Artwork<\/a><\/li>\n<li><a href=\"#\">CV<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"c2\">\n<div class=\"panes informacion\">\n<div class='scroll-pane'>\n<h3 class=\"title\">Information<\/h3>\n<p>Jos\u00e9 Guerrero (Granada, 1979) approaches the photographic act with the classical precision of the surveyor and the measured, controlled and finely balanced gaze befitting the architect, but concentrating his interest on the idea of the passing of time and its consequences. In order to fully understand the value of his photography we can refer back to his referents, as he himself states: &ldquo;If I have to quote some photographers whose work has &#8216;touched&#8217; me or I have in some way integrated into my own discourse, I could name authors such as Eug\u00e8ne Atget, Paul Strand, Walker Evans, Lewis Baltz, Hamish Fulton, Richard Misrach (the series Cantos del Desierto [Songs of the Desert]) and Stephen Shore (the series Uncommon Places)&rdquo;. <\/p>\n<p>In little short of a decade his restful gaze has generated one of the most coherent productions on the Spanish scene. During this time his work could be subdivided into two major periods.The first one, of which an extraordinary example is Caseta y piscina (Hut and Swimming Pool), Ja\u00e9n 2007, was fundamentally developed in Spanish settings, inveterately choosing rural views and those places on the outskirts of towns and cities in which the urban clashes with the rustic. Guerrero also finds corners in which without the need for his personal presence one can immediately recognise the mark of man and the consequences whether of the passing of time or of speculation, and the ruin that both of these bring to nature and to the environment. <\/p>\n<p>In the second period one should point out that one of its main characteristics is the work in series that form not so much a one-off view as an idea, a concept or a global project. In them he has extended the geographical limits of his search to cities such as Cairo, London, Moscow,<br \/>\nParis, NewYork \u2013 in which he finds curious and surprising resemblances and slightly modified their points of attraction.Thus the disturbing but at the same time magical London fog in the series Thames, 2008, of which the exhibition shows five works, or the mystery and charm of the NewYork night with its profusion of lights in NY Night Lights, 2011. <\/p>\n<p>His most recent journey took him to the deserts of Arizona and to trips from San Francisco to New York and from Houston to Los Angeles, during which he made To Come Back, belonging to which is Chinle, Navajo Nation, AZ 2011, that coldly and heart-rendingly bears witness to the fate of the Native American people. <\/p>\n<p>His pictures, and above all the sets that they form, are as seductive as they are communicative of a poetic reality laden with meaning that is presented before our eyes. <\/p>\n<p>Mar\u00eda de Corral <br \/> Lorena Mart\u00ednez de Corral<\/p>\n<p><!--info--><\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/div>\n<div class=\"panes aboutWork\">\n<div class='scroll-pane'>\n<h3 class=\"title\">Artwork<\/h3>\n<p>Since the beginning of my career as photographer my work has revolved around topics like memory and forgetting, processes of the transformation of landscapes, and our perception of the landscape through images. Nature and the city, the rural and the urban, man and his mark on space and on time; these are the topics which obsess me, and through which, by means of photography and in certain codes, I feel I can express myself as an author. <\/p>\n<p>Coming back, returning, insisting, retaking, examining&#8230; All these are recurrent ideas in the theoretical reasoning &#8212; and in the practical development \u2013 of my different works. <\/p>\n<p>The photographic series and mural pieces I have worked on up to now propose a polyhedral and transversal view of the space that conditions the way to &lsquo;read&rsquo; and to &lsquo;understand&rsquo; the photographs; not in an individual way, but as parts of a whole.The different images in a series are related in the same way as the lines in poetry, or the notes in a musical composition. In this sense, the light, the color and a determined atmosphere are fundamental elements in the search for coherence and unity in my work; as well as the horizon line, which often acts as a unifying thread charged with symbolism. <\/p>\n<p>I am interested in working on the icons and the specific character of the landscapes I photograph, but always in search of a &lsquo;universal view&rsquo; of them. <\/p>\n<p>Jos\u00e9 Guerrero<\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/p>\n<\/div>\n<div class=\"panes cv\">\n<div class='scroll-pane'>\n<h3 class=\"title\">CV<\/h3>\n<p>Granada 1979 \/ Vive y trabaja en Madrid \u2013 Vive e lavora a Madrid \u2013 Lives and works in Madrid<\/p>\n<p><strong>FORMACI\u00d3N \/ FORMACI\u00d3 \/ FORMAZIONE \/ EDUCATION<\/strong><\/p>\n<p><strong>2002-2004<\/strong> T\u00e9cnico superior de fotograf\u00eda por la Escuela de Arte de Granada<\/p>\n<p><strong>1997-2001<\/strong> Arquitecto t\u00e9cnico por la Universidad de Granada<\/p>\n<p><strong>EXPOSICIONES INDIVIDUALES \/ EXPOSICIONS INDIVIDUALS \/ MOSTRE INDIVIDUALI \/ SOLO EXHIBITIONS<\/strong><\/p>\n<p><strong>2015<\/strong> Sierra Nevada. Galer\u00eda F2. Madrid<\/p>\n<p>After the Rainbow. Centro de Arte Alcobendas. Madrid<\/p>\n<p>Portfolios. Galer\u00eda F2. Madrid 2014 Des\u00e9rtica-California.<\/p>\n<p>Biblioteca Universitaria de Bratislava. Eslovaquia<\/p>\n<p><strong>2013<\/strong> After the Rainbow. Palacio de los Condes de Gabia. Granada<\/p>\n<p>TheThames Portfolios. Kopeikin Gallery. Los Angeles<\/p>\n<p>La Mancha. Galer\u00eda F\u00facares. Almagro. Ciudad Real<\/p>\n<p><strong>2012<\/strong> To Come Back. Galer\u00eda Alarc\u00f3n Criado. Sevilla<\/p>\n<p><strong>2010<\/strong> Thames. Galer\u00eda Paz y Comedias. Valencia<\/p>\n<p>Portfolios. Galer\u00eda Alarc\u00f3n Criado. Sevilla<\/p>\n<p><strong>2008<\/strong> Paisajes. Galer\u00eda Sandunga. Granada<\/p>\n<p>Paisajes. Galer\u00eda Arteveintiuno. PhotoEspa\u00f1a. Madrid<\/p>\n<p><strong>2007<\/strong> Ef\u00edmeros. Sala Imagen. Sevilla<\/p>\n<p><strong>2006<\/strong> Ef\u00edmeros. Sala CajaSol. Jerez de la Frontera. C\u00e1diz<\/p>\n<p>&nbsp;<\/p>\n<p><strong>EXPOSICIONES COLECTIVAS, BECAS Y PREMIOS \/ EXPOSICIONS COL\u00b7LECTIVES, BEQUES I PREMIS \/ MOSTRE COLLETTIVE, BORSE DI STUDIO E PREMI \/ GROUP EXHIBITIONS, AWARDS, CURATORIAL PROJECTS<\/strong><\/p>\n<p>(selecci\u00f3n \/ selecci\u00f3 \/ selezione \/ selection)<\/p>\n<p><strong>2015<\/strong> Art Situacions. Villa Croce,<\/p>\n<p>G\u00e9nova \u2013 MACRO. Roma<\/p>\n<p>Construyendo una Colecci\u00f3n (DKV). Castillo de San Romualdo. C\u00e1diz<\/p>\n<p>La construcci\u00f3n social del paisaje. Centro Andaluz de Arte Contempor\u00e1neo. Sevilla<\/p>\n<p>Volta. Galer\u00eda Alarc\u00f3n Criado. Basilea<\/p>\n<p>Arco. Galer\u00eda Alarc\u00f3n Criado. Madrid<\/p>\n<p><strong>2014<\/strong> 40 a\u00f1os, cuarenta artistas. Galer\u00eda F\u00facares, Almagro. Ciudad Real<\/p>\n<p>Discoveries of the Houston Meeting Place. Fotofest, Houston, TX \/ UNT Galleries. Denton,Tejas<\/p>\n<p>Itinerarios de una Colecci\u00f3n<\/p>\n<p>(Fundaci\u00f3n Coca-Cola). Vimcorsa. C\u00f3rdoba<\/p>\n<p>VII Premio Bienal de Fotograf\u00eda Pilar Citoler. Sala Puerta Nueva. C\u00f3rdoba<\/p>\n<p>Arco. Galer\u00eda Alarc\u00f3n Criado. Madrid<\/p>\n<p>Contexto cr\u00edtico, fotograf\u00eda siglo XXI. Tabacalera. Madrid<\/p>\n<p>Paisajes, naturaleza y artificio<\/p>\n<p>(Colecci\u00f3n DKV). La Lonja. Zaragoza<\/p>\n<p><strong>2013<\/strong> Itinerarios de una colecci\u00f3n (Fundaci\u00f3n Coca-Cola). Casino de la Exposici\u00f3n. Sevilla<\/p>\n<p>Volta 9. Galer\u00eda Alarc\u00f3n Criado. Basilea<\/p>\n<p>Arco. Galer\u00eda Alarc\u00f3n Criado, Madrid<\/p>\n<p><strong>2012<\/strong> Volta 8. Galer\u00eda Alarc\u00f3n Criado. Basilea<\/p>\n<p>DIY: Photographers &#038; Books.<\/p>\n<p>Cleveland Museum of Art. Ohio<\/p>\n<p>Paco del R\u00edo. Del arte y los afectos. Sala CajaSol. Sevilla<\/p>\n<p>Adquisiciones de la Fundaci\u00f3n Coca-Cola 2012. Domus Artium. Salamanca<\/p>\n<p>Artistas de la Colecci\u00f3n DKV.<\/p>\n<p>Casino de la Exposici\u00f3n. Sevilla<\/p>\n<p>Mundos propios. Perspectivas y variaciones&#8230; Fundaci\u00f3n Madariaga. Sevilla<\/p>\n<p>Arco. G. Alarc\u00f3n Criado. Madrid Premio PILAR CITOLER (Finalista)<\/p>\n<p><strong>2011<\/strong> A las ciudades se las conoce&#8230; Centro Andaluz de Arte Contempor\u00e1neo. Sevilla<\/p>\n<p>Arco. G. Alarc\u00f3n Criado. Madrid Just Madrid. Galer\u00eda Paz y<\/p>\n<p>Comedias. Madrid<\/p>\n<p>Beca MANUEL RIVERA. Diputaci\u00f3n de Granada. Artista invitado por Mark Klett, Arizona State University<\/p>\n<p><strong>2010<\/strong> El hombre sin alternativas. Sala Hotel Par\u00eds. Huelva<\/p>\n<p>Presente perfecto. Centro Cultural Memoria de Andaluc\u00eda. Granada<\/p>\n<p>Edici\u00f3n PHE. Maquetas.<\/p>\n<p>Complejo El \u00c1guila. Madrid<\/p>\n<p>Premio Mar\u00eda Jos\u00e9 Jove. Fundaci\u00f3n Mar\u00eda Jos\u00e9 Jove. La Coru\u00f1a<\/p>\n<p>Procesos del paisaje. Sala CajaSol. Sevilla<\/p>\n<p>MadridFoto. Galer\u00eda Paz y Comedias. Madrid<\/p>\n<p>Next Art Fair. Galer\u00eda Alarc\u00f3n Criado. Chicago<\/p>\n<p>Swab. Galer\u00eda Alarc\u00f3n Criado. Barcelona<\/p>\n<p>La vida en ning\u00fan lugar.<\/p>\n<p>Colecci\u00f3n Iniciarte. Matadero. Madrid<\/p>\n<p>Premio IMAGENERA (1.o). Instituto de Estudios Andaluces<\/p>\n<p>PRIX PICTET. Suiza. (Nominaci\u00f3n) Premio MAR\u00cdA JOS\u00c9 JOVE<\/p>\n<p><strong>2009<\/strong> Arte Lisboa. Galer\u00eda Paz y Comedias. Valencia<\/p>\n<p>Colecci\u00f3n Comunidad de Madrid. CA2M, Centro de Arte Dos de Mayo. Madrid<\/p>\n<p>Valencia Art\u201909. Galer\u00eda Paz y Comedias. Valencia<\/p>\n<p>Lugares transportados \/ Lugares invisibles. Galer\u00eda Paz y Comedias. Valencia<\/p>\n<p>Generaciones. ARCO. Madrid \/ Centro del Carmen. Valencia \/ Santa In\u00e9s. Sevilla<\/p>\n<p>Encargo del BANCO SANTANDER. Murales para la Ciudad Financiera de Boadilla del Monte. Madrid<\/p>\n<p><strong>2008<\/strong> Arte=Vida, Vida=Arte. Museo Vostell Malpartida. C\u00e1ceres.<\/p>\n<p>Las corrientes del agua. Sede Emasesa. Sevilla<\/p>\n<p>Procesos del paisaje. CajaSol. Museo de C\u00e1diz<\/p>\n<p>Balelatina. Hot Art Fair. Galer\u00eda Sandunga. Basilea<\/p>\n<p>Art Salamanca. Galer\u00eda Sandunga. Salamanca<\/p>\n<p>Purificaci\u00f3n Garc\u00eda. C\u00edrculo de Bellas Artes. Madrid<\/p>\n<p>Topograf\u00edas urbanas. Galer\u00eda F\u00facares. Almagro. Ciudad Real<\/p>\n<p>Urbana. Galer\u00eda Sandunga. Granada<\/p>\n<p>All inclusive, New Spanish Photography. Pingyao Fotofestival. China<\/p>\n<p>All inclusive, New Spanish Photo- graphy. Dom Fotografie. Liptovsky Mikulas, Eslovaquia<\/p>\n<p><strong>2007<\/strong> El mundo de hoy en 20 libros de fotograf\u00eda. Ef\u00edmeros. MUSAC. Le\u00f3n<\/p>\n<p>All inclusive, New Spanish Photography. Lodz Fotofestiwal. Polonia<\/p>\n<p>Encargo del MUSAC Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n. (Proyecto: \u00d3rbigo)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OBRA EN COLECCIONES \/ OBRA EN COL\u00b7LECCIONS \/ OPERA NELLE COLLEZIONI \/ WORK IN COLLECTIONS<\/strong><\/p>\n<p>(selecci\u00f3n \/ selecci\u00f3 \/ selezione \/ selection)<\/p>\n<p>ASU. Arizona State University<\/p>\n<p>Center for Creative Photography, Arizona<\/p>\n<p>LUAG. Lehigh University Art Galleries, Pensilvania<\/p>\n<p>Ayuntamiento de Granada.<\/p>\n<p>Centro Andaluz de Arte Contempor\u00e1neo<\/p>\n<p>Colecci\u00f3n Banco Santander<\/p>\n<p>Colecci\u00f3n Caja Madrid<\/p>\n<p>Fundaci\u00f3n Mapfre<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/p>\n<\/div>\n<\/div>\n<p><br style=\"clear: both;\" \/> <br style=\"clear: both;\" \/><!--exhibitioninfo--><\/p>\n<h2 class=\"hdrSection\">Artwork in Exhibition<\/h2>\n<div class=\"gallery\">\n\n\t<ul id=\"slideshowgallery35927\" class=\"slideshowgallery35927\" style=\"display:none;\">\n\t\t\t\t\t<!-- From all slides or gallery slides -->\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">jose-guerrero2<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"jose-guerrero2\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/jose-guerrero2.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/jose-guerrero2-100x75.jpg\" alt=\"jose-guerrero2\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">*temp*<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"temp\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/jose-guerrero12.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/jose-guerrero12-100x75.jpg\" alt=\"temp\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">*temp*<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"temp\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/jose-guerrero11.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/jose-guerrero11-100x75.jpg\" alt=\"temp\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">jose-guerrero10<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"jose-guerrero10\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/jose-guerrero10.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/jose-guerrero10-100x75.jpg\" alt=\"jose-guerrero10\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">jose-guerrero9<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"jose-guerrero9\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/jose-guerrero9.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/jose-guerrero9-100x75.jpg\" alt=\"jose-guerrero9\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">*temp*<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"temp\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/jose-guerrero8.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/jose-guerrero8-100x75.jpg\" alt=\"temp\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">*temp*<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span 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