{"id":1233,"date":"2015-02-04T12:12:41","date_gmt":"2015-02-04T12:12:41","guid":{"rendered":"http:\/\/www.artsituacions.com\/?p=1233"},"modified":"2017-05-21T21:06:21","modified_gmt":"2017-05-21T21:06:21","slug":"ruben-guerrero","status":"publish","type":"post","link":"https:\/\/www.artsituacions.com\/en\/artistas\/ruben-guerrero\/","title":{"rendered":"Rub\u00e9n Guerrero"},"content":{"rendered":"<div id=\"authorInfo\">\n<div class=\"c1\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-1234\" src=\"http:\/\/www.artsituacions.com\/wp-content\/uploads\/2015\/02\/ruben-guerrero.jpg\" alt=\"ruben-guerrero\" width=\"200\" height=\"200\" \/><\/p>\n<ul class=\"tabs\">\n<li><a href=\"#\">Information<\/a><\/li>\n<li><a href=\"#\">Artwork<\/a><\/li>\n<li><a href=\"#\">CV<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"c2\">\n<div class=\"panes informacion\">\n<div class='scroll-pane'>\n<h3 class=\"title\">Information<\/h3>\n<p>In his continuous exploration of the possibilities of painting, Rub\u00e9n Guerrero has cultivated various languages, different facets and models of transferring the plurality of the real world to the canvas. <\/p>\n<p>Guerrero&#8217;s painting is characterised by a planned work of overlapping layers of colour through compact brush-strokes with a fragmented pattern. With each layer he creates an opacity which outlines a complex field of juxtapositions, in which there are images of spaces, constructions and places, together with fragile and sublime parts of an almost idealised nature, including some quotes and lyrics from ballads which have to be interpreted in a meta- linguistic code. He slowly links together and juxtaposes different painting materials, understanding the painting as the dynamic result of a time process which is visibly expressed in the result and which captures the spectator&rsquo;s gaze. In his work, and with the most absolute freedom, Guerrero brings together the most various and contradictory things, countering merely formal structures which enlarge the artist&rsquo;s universe with a metaphor. In all of his creations he shows to us a chronicle that has been created with great detail, extreme care and enormous delicateness. <\/p>\n<p>Guerrero builds an intuitive world, parallel to the real and tangible one, where that which we could perceive as reality fades and mixes with another, more abstract world; as if his works had been created through simultaneous journeys, some to his inner side in an intuitive way, and others in real journeys looking at each fragment of our surroundings. <\/p>\n<p>His painting is demanding of the spectator, forcing us to think about and question the complex pattern underlying in his proposals. <\/p>\n<p>Rub\u00e9n Guerrero&rsquo;s works are invitations to explore the infinite possibilities of painting, revealing what is hidden through the recreations of a world where figuration as well as abstraction coexist under the same conditions. His paintings are often difficult to categorise; they evoke structures that we might previously have seen, but which appear to us narrated in a new way, being tales in which the artist explores the reality we know in an unexpected way. He invites us to share his interest in the narration of a fragment, and shows us the way we conceive history and what is around us, thus communicating a feeling of dynamic motion to us in what he creates. <\/p>\n<p>Guerrero&rsquo;s pictorial space is at the same time palpably physical as well as deeply psychological; it comes from an observation rooted in personal experience. His work provides us with a natural and complex gaze at the microscopic world as well as at the macroscopic world, which allows us to share the presence of known scenes. <\/p>\n<p>Mar\u00eda de Corral <br \/> Lorena Mart\u00ednez de Corral<\/p>\n<p><!--info--><\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/div>\n<div class=\"panes aboutWork\">\n<div class='scroll-pane'>\n<h3 class=\"title\">Artwork<\/h3>\n<p>In order to talk about the painting of Rub\u00e9n Guerrero (Seville, 1979) it is necessary to spend time considering the painting itself, in its material flesh, in its very substance.This was how the critic Juan Bosco D\u00edaz Urmeneta saw it: &ldquo;As one can see, this painting crossed through by thought possesses a remarkable formal solidness. Guerrero uses oil and enamel, and thus manages to achieve dense, shiny surfaces that completely hide the pattern of the canvas, but which grant the surface of the painting a strange consistency. This material quality of the painting creates a distancing in the spectator, who can hardly make out the support nor trace the painter&#8217;s gesture.Yet this distancing perfectly connects with the author&#8217;s intention: it is the very content of the painting that sets up the artifice that, as a consequence, is not shown in its materiality but simply in the idea that presides over its making&rdquo;. <\/p>\n<p>A magnificent example of this can be seen in S.T. (Untitled), 2015, in which the solidified intensity of the thick yellow background is cut out, allowing one to see another surface below it, another existence to which the painting, no matter how beautiful it may be, refuses us access. <\/p>\n<p>Guerrero fits into a very powerful group of Sevillian artists or resident in Seville who emerged at the end of the nineties and to which belong, among others, Miki Leal, Jos\u00e9 Manuel Pere\u00f1iguez and Mat\u00edas S\u00e1nchez, who have made reflection on the practice of painting the fundamental axis of their work.This philosophical meditation appears in many of Guerrero&#8217;s titles, such as Mapping the studio, El marco (The Frame), Thinking of painting or the here exhibited S\/T (Untitled) (Ide\u00e9 de peinture MB), 2014, in which we can see the dividing up of the two canvases of the diptych into what I would dare qualify as perverse geometry, that as much constructs a perfect image as it confuses the spectator in a game of false compositions. It contrasts a left side that is narrow, luminous and with warm colours with the disordered layout and generous, almost blackish surfaces on its right side. <\/p>\n<p>I would also highlight the extraordinary diversity of his work in formats and in contents, indifferent to the figuration-abstraction debate, the use of all kinds of auxiliary material, his drawing power and the ease of his brush-stroke, which, as we have pointed out, allows him to approach large surfaces, and, finally, the power of the colours. <\/p>\n<p>Mariano Navarro <br \/> Madrid, 2015<\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/p>\n<\/div>\n<div class=\"panes cv\">\n<div class='scroll-pane'>\n<h3 class=\"title\">CV<\/h3>\n<p>1976, Utrera, Sevilla, Espa\u00f1a. Vive y trabaja en Sevilla \u2013 Vive e lavora a Sevilla \u2013 Lives and works in Sevilla<\/p>\n<p><strong>FORMACI\u00d3N \/ FORMACI\u00d3 \/  FORMAZIONE \/ EDUCATION<\/strong><\/p>\n<p><strong>1999<\/strong> Licenciado en la Facultad de Bellas Artes Isabel de Hungr\u00eda de Sevilla en la especialidad de Pintura.<\/p>\n<p><strong><br \/>EXPOSICIONES INDIVIDUALES \/ EXPOSICIONS INDIVIDUALS \/ MOSTRE INDIVIDUALI \/ SOLO EXHIBITIONS<\/strong><\/p>\n<p><strong>2014<\/strong> Nivel cero. Luis Adelantado. Valencia<\/p>\n<p><strong>2013<\/strong> Entre fraudes y hechos. Luis Adelantado. M\u00e9xico D. F.<\/p>\n<p><strong>2010<\/strong> Toma alternativa. Galer\u00eda Rafael Ortiz. Sevilla<\/p>\n<p><strong>2009<\/strong> Canvas is the place. Gale- r\u00eda Luis Adelantado. Valencia<\/p>\n<p><strong>2007<\/strong> Anverso [contra] reverso. Centro de las Artes de Sevilla C.A.S. Monasterio San Clemente. Sevilla<\/p>\n<p><strong>2006<\/strong> Caja de Instrucciones. Luis Adelantado. Valencia<\/p>\n<p><strong>EXPOSICIONES COLECTIVAS, BECAS Y PREMIOS \/ EXPOSICIONS COL\u00b7LECTIVES, BEQUES I PREMIS \/ MOSTRE COLLETTIVE, BORSE DI STUDIO E PREMI \/ GROUP EXHIBITIONS, AWARDS, CURATORIAL PROJECTS<\/strong><\/p>\n<p>(selecci\u00f3n \/selecci\u00f3 \/ selezione \/ selection)<\/p>\n<p><strong>2015<\/strong> Veo\/Geo. Centro de las Artes de Sevilla, CAS. Sevilla<\/p>\n<p>ZonaMaco. Luis Adelantado. M\u00e9xico D. F.<\/p>\n<p>ArcoMadrid. Luis Adelantado. Madrid<\/p>\n<p><strong>2014<\/strong> PAR\u00c1FRASIS. La recepci\u00f3n de El Greco en el neobarroco actual. Museo de Albacete. Albacete<\/p>\n<p>12.a Biennal Mart\u00ednez Guerricabeitia. Sala Academia del Centro Cultural La Nau de la Universitat de Val\u00e8ncia. Valencia<\/p>\n<p>ZonaMaco. Luis Adelantado. M\u00e9xico D. F.<\/p>\n<p>ArcoMadrid. Luis Adelantado. Madrid<\/p>\n<p>Itinerarios de una colecci\u00f3n. Co- lecciones del DA2 y Fundaci\u00f3n Coca-Cola. Comisariada por Lorena Mart\u00ednez del Corral en La Nau. Valencia<\/p>\n<p>Summa. Solo projects.<\/p>\n<p>Comisariado por Marina Fokidis. Luis Adelantado. Madrid<\/p>\n<p><strong>2013<\/strong> Itinerarios de una colecci\u00f3n. Colecciones del DA2 y Fundaci\u00f3n Coca-Cola. Comisariada por L. Mart\u00ednez del Corral en la sala del Casino de la Exposici\u00f3n en Sevilla<\/p>\n<p>\u00daltima pintura en las colecciones del DA2 y Fundaci\u00f3n Coca-Cola. Comisariada por L. Mart\u00ednez del Corral, itinerante en el Palacio Sa- lazar de Santa Cruz, La Palma. Centro de Arte Juan Ismael de Fuerteventura y MIAC de Lanzarote<\/p>\n<p>ZonaMaco. Luis Adelantado. M\u00e9xico D. F.<\/p>\n<p>ArcoMadrid. Luis Adelantado. Madrid<\/p>\n<p><strong>2012<\/strong> Distop\u00edas desencajadas. Centro de exposiciones de Benalm\u00e1dena. M\u00e1laga<\/p>\n<p>\u00daltima pintura, en las colecciones de la Fundaci\u00f3n Coca-Cola y DA2 Salamanca. Centro de Arte de La Regenta. Las Palmas de Gran Canaria<\/p>\n<p>ZonaMaco. Luis Adelantado. M\u00e9xico D. F.<\/p>\n<p>ArcoMadrid. Luis Adelantado. Madrid<\/p>\n<p><strong>2011<\/strong> 3 under 40. Galer\u00eda Marlborough. Barcelona<\/p>\n<p>Distop\u00edas desencajadas. Santa In\u00e9s, nuevo espacio Iniciarte. Sevilla<\/p>\n<p>El Ojo del mirlo. Galer\u00eda Isabel Urley. M\u00e1laga<\/p>\n<p>El cad\u00e1ver exquisito. Museo de Alcal\u00e1 de Guada\u00edra. Sevilla<\/p>\n<p>Exposici\u00f3n colectiva con las nuevas adquisiciones de la Fundaci\u00f3n Coca-Cola. Comisariada por Lorena Mart\u00ednez del Corral en DA2 de Salamanca<\/p>\n<p>ZonaMaco. Luis Adelantado. M\u00e9xico D. F.<\/p>\n<p>ArcoMadrid. Luis Adelantado. Madrid<\/p>\n<p>S\/t, t\u00e9cnica mixta, medidas variables. proyecto dirigido por Jaime de la Jara, Jacobo Castellano y Miki Leal. Madrid<\/p>\n<p><strong>2010<\/strong> Oz\u00fa qu\u00e9 cal\u00f3. Comisariada por Jes\u00fas Reina. Galer\u00eda F\u00facares. Almagro<\/p>\n<p>Pintando versos, homenaje a Miguel Hern\u00e1ndez, en el Casino de la Exposici\u00f3n. Sevilla<\/p>\n<p>Premio Lissone 2010. Museo de Arte Contempor\u00e1neo de Lissone, Italia<\/p>\n<p>La imagen y el animal.<\/p>\n<p>Comisariada por F. Javier S\u00e1nchez. Palacio de los Condes de Gabia. Granada<\/p>\n<p>El Hombre sin Alternativa<\/p>\n<p>(Conceptos de destrucci\u00f3n y conservaci\u00f3n del entorno y la realidad en el arte contempor\u00e1neo andaluz). Comisariada por Iv\u00e1n de laTorre Amerighi y Juan Ram\u00f3n Rodr\u00edguez. Espa\u00f1a.<\/p>\n<p>ZonaMaco. Luis Adelantado. M\u00e9xico D. F.<\/p>\n<p>Nuevos pintores figurativos en colecciones p\u00fablicas de la provincia de Sevilla. Museo de Alcal\u00e1 de Guada\u00edra. Sevilla<\/p>\n<p><strong>2009<\/strong> Circa. Luis Adelantado. Puerto Rico.<\/p>\n<p>ZonaMaco. Luis Adelantado. M\u00e9xico D. F.<\/p>\n<p>ArcoMadrid. Luis Adelantado. Madrid<\/p>\n<p>El pensamiento en la boca. Sala Chicarreros de Cajasol. Sevilla<\/p>\n<p>ArteFiera. Luis Adelantado<\/p>\n<p><strong>2008<\/strong> Inicial 08. Comisariada por \u00d3scar Alonso Molina. Espacio Iniciarte. Sevilla<\/p>\n<p>SH Comtenporary 08. The Asian Pacific Contemporary Art Fair. Shangh\u00e1i<\/p>\n<p>Reacci\u00f3n en cadena, colectiva en la Galer\u00eda Rafael Ortiz. Sevilla<\/p>\n<p>Los claveles. Una aproximaci\u00f3n a los j\u00f3venes artistas de Sevilla. Fundaci\u00f3n Chirivella Soriano. Valencia<\/p>\n<p>ZonaMaco. Luis Adelantado. M\u00e9xico D. F.<\/p>\n<p>ArcoMadrid. Luis Adelantado. Madrid<\/p>\n<p>RomaContemporary. Luis Adelantado. Roma<\/p>\n<p>4 en la Neilson Gallery.<\/p>\n<p>Grazalema. C\u00e1diz<\/p>\n<p>Ajenos. Comisariada por Raffaella Guidobono. Cavallerizza di Palazzo Sambuca. Palermo<\/p>\n<p><strong>2007<\/strong> Vice. Luis Adelantado. Miami<\/p>\n<p>El pensamiento en la boca.<\/p>\n<p>Cajasol. Jerez. C\u00e1diz<\/p>\n<p>XLIII Certamen de artes pl\u00e1sticas Caja San Fernando. Casa Pem\u00e1n, Plaza San Antonio. C\u00e1diz<\/p>\n<p>Trasantl\u00e1ntica. Proyecto comisariado por A. D. Resurrecci\u00f3n para la galer\u00eda 713 Arte Contempor\u00e1neo. Buenos Aires<\/p>\n<p>ZonaMaco. Luis Adelantado. M\u00e9xico D. F.<\/p>\n<p>SpArte. Luis Adelantado. Brasil. Trasantl\u00e1ntica. Proyecto<\/p>\n<p>comisariado por A. D.<\/p>\n<p>ArcoMadrid. Luis Adelantado. Madrid<\/p>\n<p><strong>2006<\/strong> XLIII Certamen de artes pl\u00e1sticas Caja San Fernando. Sala Caja San Fernando, Plaza San Francisco. Sevilla<\/p>\n<p>The sock strategy. Comisariada por Iv\u00e1n de laTorre Amerighi. Sala Villasis. Fundaci\u00f3n el Monte. Sevilla<\/p>\n<p>Muestra andaluza de arte joven.<\/p>\n<p>Colecci\u00f3n del Instituto Andaluz de la Juventud, Sala Amad\u00eds. Madrid<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/p>\n<\/div>\n<\/div>\n<p><br style=\"clear: both;\" \/> <br style=\"clear: both;\" \/><!--exhibitioninfo--><\/p>\n<h2 class=\"hdrSection\">Artwork in Exhibition<\/h2>\n<div class=\"gallery\">\n\n\t<ul id=\"slideshowgallery36310\" class=\"slideshowgallery36310\" style=\"display:none;\">\n\t\t\t\t\t<!-- From all slides or gallery slides -->\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">ruben-guerrero3<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"ruben-guerrero3\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/ruben-guerrero3.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/ruben-guerrero3-100x75.jpg\" alt=\"ruben-guerrero3\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">ruben-guerrero6<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"ruben-guerrero6\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/ruben-guerrero6.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/ruben-guerrero6-100x75.jpg\" alt=\"ruben-guerrero6\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">ruben-guerrero4<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"ruben-guerrero4\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/ruben-guerrero4.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/ruben-guerrero4-100x75.jpg\" alt=\"ruben-guerrero4\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">ruben-guerrero7<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"ruben-guerrero7\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/ruben-guerrero7.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/ruben-guerrero7-100x75.jpg\" alt=\"ruben-guerrero7\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">ruben-guerrero1<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"ruben-guerrero1\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/ruben-guerrero1.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/ruben-guerrero1-100x75.jpg\" alt=\"ruben-guerrero1\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">ruben-guerrero2<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"ruben-guerrero2\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/ruben-guerrero2.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/ruben-guerrero2-100x75.jpg\" alt=\"ruben-guerrero2\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">ruben-guerrero8<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"ruben-guerrero8\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/ruben-guerrero8.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img 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