{"id":1247,"date":"2015-02-04T13:09:18","date_gmt":"2015-02-04T13:09:18","guid":{"rendered":"http:\/\/www.artsituacions.com\/?p=1247"},"modified":"2017-05-21T20:53:56","modified_gmt":"2017-05-21T20:53:56","slug":"anna-franceschini","status":"publish","type":"post","link":"https:\/\/www.artsituacions.com\/en\/artistas\/anna-franceschini\/","title":{"rendered":"Anna Franceschini"},"content":{"rendered":"<div id=\"authorInfo\">\n<div class=\"c1\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-1248\" src=\"http:\/\/www.artsituacions.com\/wp-content\/uploads\/2015\/02\/anna-franceschini.jpg\" alt=\"anna-franceschini\" width=\"200\" height=\"199\" \/><\/p>\n<ul class=\"tabs\">\n<li><a href=\"#\">Information<\/a><\/li>\n<li><a href=\"#\">Artwork<\/a><\/li>\n<li><a href=\"#\">CV<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"c2\">\n<div class=\"panes informacion\">\n<div class='scroll-pane'>\n<h3 class=\"title\">Information<\/h3>\n<p>Objects, movements and visions, existences that intersect and dance, appearing in ways that are as unpredictable as they are ambiguous and prodigious. Anna Franceschini&#8217;s cinematic art is a constantly evolving landscape of fragments of a world, coming out in all their silent, potential nature. What the artist presents is a reality parallel to the tangible world, where the most intimate, abstract spirits of the objects we see find a space to inhabit and tell their story. Anna Franceschini presents us with an active reflection on the language of cinema, and on its mechanisms and illusory nature. <\/p>\n<p>Amazement and wonder, which are so uncommon in everyday life, are key to the artist&#8217;s work. A funfair at night, with its attractions and sounds, its lights and movement, is thus taken and represented in its most anthropomorphic dimension, revealing its other, most hidden and unimaginable face. Every rotation, movement, reflection of light and vortex in this work, The Player May Not Change His Position (2009), sets off a story, activating a sphere of feelings and unusual emotional reactions.The secret life of moving objects and the symbolic universe it leads to are shown inside an industrial ironing facility, where the shirts in The Stuffed Shirt (2012) are those worn by dummies brought to life by mechanisms that appear to be playing with life itself. Explosions and collapses caused by the compressed air of the machines put these automatons severely to the test.They appear to reveal the essence of humanity, conjuring in the mind of the viewer parallels with movie characters that are clearly impressed on the popular imagination, such as Frankenstein, the      Marshmallow Man from Ghostbusters, and Robocop. <\/p>\n<p>Starting from reality, Anna Franceschini thus constantly brings the notion of objectuality into question, playing with illusion, and developing potential visions and making them subtly manifest. In It&#8217;s about light and death (To Joseph Plateau), 2011, a series of stuffed animals in a taxonomy workshop reacquire their identity as wild beasts by means of an optical device in the form of a zoetrope. Lightly brushed by a gentle movement, crystal chandeliers are turned into colourful, joyfully spectral presences (Splendid, 2013), a doll forcefully declares her own existence by means of a little repeated gesture (A Siberian Girl, 2012) and kitsch souvenirs of the Eternal City fly magically through the air (Before They Break, Before They Die,They Fly!, 2014). <\/p>\n<p>We might metaphorically venture to say that Anna Franceschini is capable of staging grand gala balls for objects.The visible world becomes an excuse to adorn the imagination by creating alternative ways of transforming &#8220;things&#8221; into animations. By suggesting this route, which is always governed by movement, the artist offers the viewer the freedom to create new landscapes and dream worlds that are generated by the power of fiction: endless stories by means of objects, constantly changing and always as potency. <\/p>\n<p>Ilaria Gianni<\/p>\n<p><!--info--><\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/div>\n<div class=\"panes aboutWork\">\n<div class='scroll-pane'>\n<h3 class=\"title\">Artwork<\/h3>\n<p>My work starts out from the real world and involves observing and exploring reality by means of audio-visual recordings. My films concentrate on objects and spaces, and on the relationships between them and human beings. Objects are never either neutral or inert entities but, just like human beings, they all have their own personal story to tell. And this, to the same degree as form and function, influences their use. Finding out how things are built reveals the hidden symbolic practices within them, releasing alchemical universes that are entwined with magic. Unlike what happens in shamanic societies, those who make them are often unwitting prey to the power of objects \u2013 as are the end-users.Through my works, I try to leave a trace of the temporary symbolic universes that accompany the production processes. Similarly, through the act of filming, I attempt to capture the residual energy that remains within spaces and constructions designed for activities, such as sport or mass consumption, that are the source of powerful emotions. Spaces absorb the flow of the desires of those who go through them.Traces of these emotional transitions can be seen in the wear and tear of materials and in the constant efforts made to regenerate and clean them, and they can be perceived, for example, in those moments that mark the shift between activity and inactivity. Slower, more subtle changes, and the energy adjustment and mood of places can be rendered visible and audible on film. Every work of mine is an attempt to reconstruct a ritual, and the place it belongs to. My films and, my experience of existence on film comes from the exclusive use of audio-visual materials taken in situ. My times of my shoots are adapted to those of what I am filming and involve long, solitary stays in search of a profound, intimate relationship with the spaces and objects concerned. <\/p>\n<p>Anna Franceschini<\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/p>\n<\/div>\n<div class=\"panes cv\">\n<div class='scroll-pane'>\n<h3 class=\"title\">CV<\/h3>\n<p>Anna Franceschini, 1979, Pavia. <br \/> Vive e lavora a Milano \u2013 Vive y trabaja en Mil\u00e1n \u2013 Lives and works in Milan<\/p>\n<p>&nbsp;<\/p>\n<p><strong>FORMACI\u00d3N \/ FORMAZIONE \/ EDUCATION<\/strong><\/p>\n<p><strong>2006<\/strong> Diploma Film Direction, Scuola Civica di Cinema e Nuovi Media, Milano<\/p>\n<p><strong>2004-2006<\/strong> Laurea Magistrale in Televisione, cinema e produzione multimediale, IULM, Milano<\/p>\n<p><strong>2001-2003<\/strong> Laurea in Scienze della Comunicazione, IULM, Milano<\/p>\n<p>&nbsp;<\/p>\n<p><strong>EXPOSICIONES INDIVIDUALES \/ MOSTRE INDIVIDUALI \/ SOLO EXHIBITIONS<\/strong><\/p>\n<p><strong>2015<\/strong> Vitrine | Anna Franceschini, Gam, Torino<\/p>\n<p>Media Facade | Anna Franceschini \u2013 Museion, Bolzano<\/p>\n<p>Andre Romao | Anna Franceschini \u2013 Vera Cort\u00e9s Art Agency, Lisbona<\/p>\n<p>Mechanically Yours \u2013 Kunstverein f\u00fcr die Rheinlande und Westfalen, D\u00fcsseldorf<\/p>\n<p><strong>2014<\/strong> Lezioni di Italiano \u2013 Fiorucci ArtTrust, Londra<\/p>\n<p>Laws Of Attraction &#8211; Spike Island, Bristol<\/p>\n<p>L&#8217;anno venturo alla citt\u00e0 di Cosa \u2013 Con M. Nasini \u2013 Gasconade Guest, Ansedonia<\/p>\n<p>Open Studio At Macro, Macro, Roma<\/p>\n<p>The dDiva who became an alphabet, Elisa Platteau Gallery, Bruxelles<\/p>\n<p>Before they break, before they die, Vistamare \/ Benedetta Spalletti, Pescara<\/p>\n<p><strong>2013<\/strong> &#8216;facing Mercurio&#8217; Rebecca Digne \/ Anna Franceschini, Jeanine Hofland Contemporary Art, Amsterdam<\/p>\n<p>Splendid IsThe Light InThe City Of Night, a cura di A. Viliani, Istituto Italiano di Cultura, Parigi*<\/p>\n<p>Es Ist Verdammt Heiss Hier, a cura di M. Farronato, Fondazione Bevilaqua La Masa, Venezia<\/p>\n<p>&#8216;for In And Out, Above, About, Below, &#8217;tis Nothing But A Magic Shadow- Show&#8217; Act Ii, The Italian Academy\/Columbia University, NewYork<\/p>\n<p>Equinox. Almost A Tryptic, a cura di C. Vecchiarelli, The Emily Harvey Foundation, NewYork<\/p>\n<p>2012 The Stuffed Shirt, Peep- Hole, Milano<\/p>\n<p>Halation, a cura di C. Fitzpatrick, Objectif Exhibitions, Anversa<\/p>\n<p>A siberian girl, a cura di L. Barreca, Ex Elettrofonica, Roma<\/p>\n<p>Subjective Projectiones \/ Anna Franceschini, a cura di A. Rabottini, Bielefelder Kunstverein, Bielefeld<\/p>\n<p><strong>2011<\/strong> Let\u2019s Fuuuuck! I\u2019ll Fuck Anything That Mooooves!, a cura di M. Farronato e R. Selvaggio, Volcano Extravaganza, Stromboli<\/p>\n<p>To Know AThingYou Must Call It By Its Name, a cura di A. Salvadori, Castello Malaspina, Fosdinovo<\/p>\n<p>Thea Djordjatze: Quite Speech In Wide Circulation \/\/\/ SCREENING ROOM: ANNA FRANCESCHINI, a cura di Wim Walpurt, Kiosk Gallery, Gent<\/p>\n<p>&nbsp;<\/p>\n<p><strong>EXPOSICIONES COLECTIVAS, BECAS Y PREMIOS \/ MOSTRE COLLETTIVE, BORSE DI STUDIO E PREMI \/ GROUP EXHIBITIONS, AWARDS, CURATORIAL PROJECTS<\/strong><\/p>\n<p>(selecci\u00f3n \/ selezione \/ selection)<\/p>\n<p><strong>2015<\/strong> Collectionner Les Presents, esposizione delle nuove acquisizioni, Les Abbatoirs,Tolosa<\/p>\n<p>Screen Series | Displaced Agency, a cura di Xanthe Dobbie e Annabelle Lacroix, Blindiside, Melbourne<\/p>\n<p>Milk Revolution, a cura di I.<\/p>\n<p>Marotta e A. Baccin &#8211; American Academy in Rome, Roma<\/p>\n<p><strong>2014<\/strong> Pre Post Alphabet, a cura di E. Fabbris e G. del Vecchio, Museo Nitsch, Napoli<\/p>\n<p>Glitch. InterferenzeTra arte e cinema in Italia, a cura di D. Giannella &#8211; PAC | Padiglione Arte Contemporanea, Milano<\/p>\n<p>Un Rumore Bianco, a cura di A. Bruciati, Assab One, Milano<\/p>\n<p>WildThings, a cura di J. Laia,The Green Parrot, Barcellona<\/p>\n<p>Score, a cura di S. Brill e A. Cestelli Guidi, MARCO, Vigo<\/p>\n<p>DreamsThat Money Can&#8217;t Buy, un progetto di CURA, MAXXI, Roma<\/p>\n<p>Enchanted:The Poetics Of Wonder, a cura di I. Gianni, Furini ArteContemporanea, Arezzo<\/p>\n<p>Non Potendomi Arrampicare Sulle Nuvole, Presi per Le Colline, a cura di E. Fabbris, sedi varie, Valdagno<\/p>\n<p>Indiemovingimage, a cura di J. Laia, MNAC &#8211; Museu do Chiado, Lisbona*<\/p>\n<p>To Continue. NotesTowards A Sculpture Cycle. Second Chapter: Vision, a cura di I. Gianni e C. Canziani, Nomas Foundation, Roma<\/p>\n<p><strong>2013<\/strong> OneThousand Four Hundred And Sixty, Peep-Hole, Milano<\/p>\n<p>One Day The Day Will Come When The Day Will Not Come, a cura di M. Farronato, Futura, Praga<\/p>\n<p>Het Plateau Effect, a cura di E.<\/p>\n<p>Carels,The Zebrastraat, Gent<\/p>\n<p>Non \u00c8 Un Paese Per Vecchi?, a cura di A. Croci e F. Florian, Palazzo Ducale, Genova*<\/p>\n<p>The Perfect Marble Face, a cura di J. Ots, Elisa Platteau Gallery, Bruxelles<\/p>\n<p>Green Flower Street, a cura di A.R. Paris,Tatiana Kourochkina Gallery, Istanbul<\/p>\n<p>The World Has Already Been Filmed. Now It Is Time To Transform It, a cura di M.R. Sossai, Istituto Italiano di Cultura, Istanbul<\/p>\n<p>It Is A Place Of Force, a cura di L. Alavanou, Remap4, Atene<\/p>\n<p>Chinese Whispers, a cura di A. Baccin, L. Francesconi, I. Gianni, I. Marotta, C. Paissan, cura.basement, Roma<\/p>\n<p>The 338 Hours Cineclub, a cura di R. Doubal, A. Steadman, E. Vincent, Fondazione Sandretto Re Rebaudengo,Torino<\/p>\n<p>Traces Of Life, a cura di A. Roger- Paris, Wentrup Gallery, Berlino<\/p>\n<p>Extra Large, MacroTestaccio, Roma<\/p>\n<p>\u201cWanna Be A Masterpiece&#8221;, a cura di I. Marotta, ISCP Gallery, New York<\/p>\n<p><strong>2012<\/strong> Premio NewYork, Ministero degli Affari Esteri<\/p>\n<p>Premio TERNA<\/p>\n<p>Premio MacroAmici, Roma<\/p>\n<p>Premio d\u2019Arte Contemporanea Ermanno Casoli<\/p>\n<p>The Flying Carpets, a cura di Philippe-Alain Michaud, Villa Medici, Roma \/ Les Abbatoirs, Tolosa*<\/p>\n<p>Notturno, a cura di P. Caravati, Unosolo Project Space, Milano<\/p>\n<p>Carta Bianca, a cura di C. Guida, Museo d\u2019arte contemporanea Villa Croce, Genova<\/p>\n<p>The Eleventh Hour, a cura di M. Novotny, Futura, Praga<\/p>\n<p>AText Is AThing, a cura di A. Rabottini e V. de Bellis, VISTAMARE, Pescara<\/p>\n<p><strong>2011<\/strong> Premio Ariane de Rothschild \u2013 menzione d&#8217;onore<\/p>\n<p>Ariane the Rothschild Prize, a cura di L. Barreca e M. Smarrelli, Palazzo Reale, Milano<\/p>\n<p><strong>2010<\/strong> Videoreport_Italia 2008-09, a cura di Andrea Bruciati, GC.AC, Monfalcone*<\/p>\n<p>Rijksakademie Open Studio, Amsterdam*<\/p>\n<p>Don\u2019t Look Now \u2013 Non Voltarti Adesso, a cura di Milovan Farronato, Ca\u2019 Pesaro, Venezia*<\/p>\n<p><strong>2008<\/strong> I Festival del Cine Italiano de Madrid \u2013 premio per il miglior cortometraggio, menzione speciale<\/p>\n<p>TFF \/Torino Film Festival \u2013 premio distribuzione<\/p>\n<p>*Catalogo<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/p>\n<\/div>\n<\/div>\n<p><br style=\"clear: both;\" \/> <br style=\"clear: both;\" \/><!--exhibitioninfo--><\/p>\n<h2 class=\"hdrSection\">Artwork in Exhibition<\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Information Artwork CV Information Objects, movements and visions, existences that intersect and dance, appearing in ways that are as unpredictable as they are ambiguous and prodigious. Anna Franceschini&#8217;s cinematic art is a constantly evolving landscape of fragments of a world,<span class=\"ellipsis\">&hellip;<\/span><\/p>\n<div class=\"read-more\"><a href=\"https:\/\/www.artsituacions.com\/en\/artistas\/anna-franceschini\/\">Read more &#8250;<\/a><\/div>\n<p><!-- end of .read-more --><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"post_formats":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.artsituacions.com\/ca\/artistas\/anna-franceschini\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anna Franceschini - Artsituacions\" \/>\n<meta property=\"og:description\" content=\"Information Artwork CV Information Objects, movements and visions, existences that intersect and dance, appearing in ways that are as unpredictable as they are ambiguous and prodigious. 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