{"id":1251,"date":"2015-02-06T10:16:42","date_gmt":"2015-02-06T10:16:42","guid":{"rendered":"http:\/\/www.artsituacions.com\/?p=1251"},"modified":"2017-05-21T20:39:50","modified_gmt":"2017-05-21T20:39:50","slug":"miren-doiz","status":"publish","type":"post","link":"https:\/\/www.artsituacions.com\/en\/artistas\/miren-doiz\/","title":{"rendered":"Miren Doiz"},"content":{"rendered":"<div id=\"authorInfo\">\n<div class=\"c1\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-1253\" src=\"http:\/\/www.artsituacions.com\/wp-content\/uploads\/2015\/02\/miren-doiz.jpg\" alt=\"miren-doiz\" width=\"200\" height=\"199\" \/><\/p>\n<ul class=\"tabs\">\n<li><a href=\"#\">Information<\/a><\/li>\n<li><a href=\"#\">Artwork<\/a><\/li>\n<li><a href=\"#\">CV<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"c2\">\n<div class=\"panes informacion\">\n<div class='scroll-pane'>\n<h3 class=\"title\">Information<\/h3>\n<p>Miren Doiz (Pamplona, 1980) plays with painting and objects, moving in an absolutely physical medium. Her work doubtlessly presents one of the most unique conceptions of artistic practice and also one of the most invasive into territories in relation to which one would state it to be alien. Doiz herself considers that: \u201cMy work always has painting as its fundamental axis, but is located between the pictorial, installation and photography. The plastic translation of this method results in an amalgam that subverts the observing of the rules, whether this is in the act of creation or of affectation in the visualising of the work. A dose of inspired hyper-realism that turns into atmospheres of everyday unreality, perhaps marked out by an intimate verisimilitude\u201d.<\/p>\n<p>In her first works, from 2005, that joining of painting, photography and installation dealt with rooms in the house, on the walls and furniture of which Doiz stretched acrylic paint. The final result was photography of the place with its corresponding occupant, which led her to name them &#8220;inhabited pictures\u201d.<\/p>\n<p>For Doiz the support for the painting is anything different from the traditional canvas \u2013 so a whole building, a bus, corners of public places, etc \u2013 and the painting itself can be made up of things ranging from acrylics and common pigments to everyday objects, different found materials and even the containers themselves. What is of great importance, along with much of the strength of the colour, is her chromatic boldness.<\/p>\n<p>Thus, S.T. (Untitled) 2013, are simple undulating cardboard boxes covered in acrylic and folded up; and the set of works covered in the Serie no painting series has a common characteristic in that the elements that make it up never come from the painting directly, but rather from strange mechanisms. The collages are made of pieces cut out from pages in catalogues from exhibitions held by Doiz herself; collages that both play with the text and with the image, and which even allow themselves certain winks that one would say were if not figurative then narrative. On other occasions they are cardboard boxes and plastic bags folded up and wrapped until they form a chromatic and formal symphony that are as attractive as they are subtle. Finally, the forms of the largest work are created using blinds, plastic adhesive tape and canvas, stretching along the wall and sweeping over the floor in a visual game that questions its two dimensional nature.<\/p>\n<p>Mar\u00eda de Corral Lorena Mart\u00ednez de Corral<\/p>\n<p><!--info--><\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/div>\n<div class=\"panes aboutWork\">\n<div class='scroll-pane'>\n<h3 class=\"title\">Artwork<\/h3>\n<p>Over the last few years I have developed a work focused on subverting the traditional ways of painting, a research about the limits, which has led me to expansive painting and to the production of a multidisciplinary work where the painting places me closer to photography, installation or sculpture.<\/p>\n<p>Interest in the specific nature, and in the perception of each space, has been a constant in my work. I have intervened in different nonexhibition spaces which were photographed and posed some questions about what is real, the recreated, habitability, or the unique, and I have also carried out some installations and interventions where I incorporate the spectator into my painting, so they become a part of the picture.<\/p>\n<p>Recently my research has been focused on changing my usual way of doing things, the way I was taught. This has led me, on the one hand, to another type of interventions where my painting, which was previously so obvious, has been dissolved until becoming almost invisible, yet without renouncing a complete transformation of the place. On the other hand this has also led me to a broad scope of work developed in the studio, in which I have eliminated material painting, in order to at the same time eliminate the use of certain resources and pictorial registers that were part of this learnt style. Plastics, cardboard, fabric, paper, in addition to found objects (in a series that I have been developing since 2012) have for me become materials that are more usual than painting itself.<\/p>\n<p>Miren Doiz<\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/p>\n<\/div>\n<div class=\"panes cv\">\n<div class='scroll-pane'>\n<h3 class=\"title\">CV<\/h3>\n<div class=\"page\" title=\"Page 26\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>MIREN DOIZ LARRAZ, Pamplona, 1980<\/p>\n<p>FORMACI\u00d3N \/ FORMAZIONE \/ EDUCATION<\/p>\n<p>Mon\u00f3graficos de dibujo en la Escuela de Artes y Oficios de Pamplona<\/p>\n<p>Bachillerato art\u00edstico en la Escuela de Artes y Oficios de Pamplona<\/p>\n<p>Licenciada en Bellas Artes por la Universidad del Pa\u00eds Vasco en junio de 2003<\/p>\n<p>Arquitectura ef\u00edmera. Montaje de exposiciones. Escola Massana d\u2019Art i Disseny. Barcelona<\/p>\n<p>Pintura y proyecci\u00f3n profesional. Escola Massana d\u2019Art i Disseny. Barcelona<\/p>\n<p>EXPOSICIONES INDIVIDUALES \/ MOSTRE INDIVIDUALI \/ SOLO EXHIBITIONS<\/p>\n<p>2013 Gabinete Estampa. Foro<\/p>\n<\/div>\n<div class=\"column\">\n<p>Sur. Stand de la galer\u00eda Mois\u00e9s P\u00e9rez de Alb\u00e9niz<\/p>\n<p>2012 Visto y no visto. Galer\u00eda Mois\u00e9s P\u00e9rez de Alb\u00e9niz. Pamplona<\/p>\n<p>Montar, desmontar. Horno de la Ciudadela. Pamplona<\/p>\n<p>2010 Panorama 10. Intervenci\u00f3n en la Casa del Almirante.Tudela<\/p>\n<p>2009 Aqu\u00ed. 4 fot\u00f3grafos desde Madrid. Comisariada por Lorena de Corral. Canal Isabel II. Madrid. Instituto Cervantes. Made in Mad. Mil\u00e1n<\/p>\n<p>2008 Instalaci\u00f3n en el Atrio del Museo Gustavo de Maeztu. Estella<\/p>\n<p>2004 Ganadores J\u00f3venes Artistas 2003. Ciudadela de Pamplona<\/p>\n<p>EXPOSICIONES COLECTIVAS, BECAS Y PREMIOS \/ MOSTRE COLLETTIVE, BORSE DI STUDIO E PREMI \/ GROUP EXHIBITIONS, AWARDS, CURATORIAL PROJECTS (selecci\u00f3n \/ selezione \/ selection)<\/p>\n<p>2015 Turn your eyes. Galer\u00eda Mois\u00e9s P\u00e9rez de Alb\u00e9niz. Madrid<\/p>\n<p>2014 Beca Pollock-Krasner (abril de 2014-abril de 2015)<\/p>\n<p>Jornadas ARTE+PINTURA. Organizadas por la Universidad de Pontevedra<\/p>\n<p>Hiperobjetos. Comisariada por Alfredo Aracil. COAM. Madrid<\/p>\n<p>Open Studio 2014. Madrid<\/p>\n<\/div>\n<div class=\"column\">\n<p>8 cuestiones espacialmente extraordinarias. Comisariada por VirginiaTorrente.Tabacalera. Madrid<\/p>\n<p>Retroalimentaci\u00f3n. Comisariada por Francesco Giaveri y Tiago de Abreu Pinto. Sala de Arte Joven de la Comunidad de Madrid<\/p>\n<p>2013 Antes de irse. Ideas sobre la pintura. Comisariada por David Barro. Museo de Arte Contempor\u00e1neo Gas Natural- Uni\u00f3n Fenosa. A Coru\u00f1a<\/p>\n<p>A window in Berlin. Un proyecto de \u00c1ngel Nieto y Clara Gonz\u00e1lez. Berl\u00edn<\/p>\n<p>2012 Feria Arco. Stand Galer\u00eda Mois\u00e9s P\u00e9rez de Alb\u00e9niz<\/p>\n<p>La colecci\u00f3n IV. CA2M. Madrid<\/p>\n<p>Un entorno emp\u00e1tico para el artista. Comisariada por Emma Bras\u00f3. Sala de Arte Joven. Madrid<\/p>\n<p>2011 La colecci\u00f3n IV. CA2M. Madrid<\/p>\n<p>A vueltas con la maldita pintura.<\/p>\n<p>Una propuesta de Juan Ugalde. MUICO. Madrid<\/p>\n<p>Un disparo de advertencia. Lal\u00edn. Comisariada por \u00c1ngel Calvo<\/p>\n<p>Melod\u00edas Imposibles. SOS 8.4.<\/p>\n<p>Comisariada por David Barro. Murcia<\/p>\n<p>Diez a\u00f1os de fotograf\u00eda espa\u00f1ola contempor\u00e1nea. Instituto Cervantes de S\u00e3o Paulo, R\u00edo de Janeiro, Brasilia y Salvador de Bah\u00eda. Comisariada por Lorena Corral<\/p>\n<p>Feria Arco. Stand de la Galer\u00eda Mois\u00e9s P\u00e9rez de Alb\u00e9niz. Madrid<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 27\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>2010 Seleccionada en la Bienal de fotograf\u00eda Purificaci\u00f3n Garc\u00eda<\/p>\n<p>Art Forum. Stand de la Galer\u00eda Heinrich Ehrhardt-Barbel Grasslin. Berl\u00edn<\/p>\n<p>Welcome home. Galer\u00eda Mois\u00e9s P\u00e9rez de Alb\u00e9niz. Pamplona<\/p>\n<p>Bienal de fotograf\u00eda Purificaci\u00f3n Garc\u00eda. C\u00edrculo de Bellas Artes. Madrid. Bilbaoarte. Bilbao<\/p>\n<p>Feria Arco. Stand de la galer\u00eda Mois\u00e9s P\u00e9rez de Alb\u00e9niz. Madrid<\/p>\n<p>25 Aniversario de los Encuentros de J\u00f3venes Artistas de Navarra. Comisariada por Juan Zapater. Pamplona.Tudela. Sang\u00fcesa<\/p>\n<p>Espacio Atl\u00e1ntico. Vigo. Galer\u00eda Mois\u00e9s P\u00e9rez de Alb\u00e9niz<\/p>\n<p>2009 Seleccionada por David Barro para el Archivo de Creadores de Matadero Madrid<\/p>\n<p>En la cuerda floja. Galer\u00eda Heinrich Ehrhardt. Comisariada por Pablo Fl\u00f3rez. Madrid<\/p>\n<p>6 artistas navarros contempor\u00e1neos. Galer\u00eda Mar\u00eda Forcada. Tudela<\/p>\n<p>Contemporary Art 09. Recinto de la Ciudadela. Pamplona<\/p>\n<p>Feria ARCO. Madrid. Galer\u00eda Mois\u00e9s P\u00e9rez de Alb\u00e9niz. Madrid<\/p>\n<p>Muestra de Artes Visuales Injuve 08. C\u00edrculo de Bellas Artes. Madrid. Sala Alb\u00e9itar de la Universidad de Le\u00f3n. Centro Cultural de Espa\u00f1a en M\u00e9xico D. F. Centro Cultural de Espa\u00f1a en Guatemala. Centro Cultural de Espa\u00f1a en Sto. Domingo. Centro Cultural de Espa\u00f1a en San Salvador. Feria de Arte joven de San Salvador<\/p>\n<\/div>\n<div class=\"column\">\n<p>2008 Obra adquirida en la Bienal de Pamplona<\/p>\n<p>Ayudas para el alquiler de espacios para la creaci\u00f3n art\u00edstica del Gobierno de Navarra<\/p>\n<p>Seleccionada en el Concurso de Artes Visuales Injuve 08<\/p>\n<p>Asado monstruoso. Sala Carlos III de la U.P.N.A.<\/p>\n<p>Paris Photo. Galer\u00eda Mois\u00e9s P\u00e9rez de Alb\u00e9niz<\/p>\n<p>ARCO. Madrid. Galer\u00eda Mois\u00e9s P\u00e9rez de Alb\u00e9niz<\/p>\n<p>MACO. M\u00e9xico D. F. Galer\u00eda Mois\u00e9s P\u00e9rez de Alb\u00e9niz<\/p>\n<p>2007 PLANES FUTUROS. Arte espa\u00f1ol en los 2000. Comisariada por Mar\u00eda y Lorena de Corral. Pamplona<\/p>\n<p>DFOTO. San Sebasti\u00e1n. Galer\u00eda Mois\u00e9s P\u00e9rez de Alb\u00e9niz<\/p>\n<p>KIAF. Se\u00fal, Corea. Galer\u00eda Mois\u00e9s P\u00e9rez de Alb\u00e9niz<\/p>\n<p>Ayudas a la creaci\u00f3n 2006. Museo Gustavo de Maeztu. Estella<\/p>\n<p>2006 Ayudas a la Creaci\u00f3n del Gobierno de Navarra<\/p>\n<p>2005 2o premio Encuentros J\u00f3venes Artistas de Navarra<\/p>\n<p>2003 2o premio concurso J\u00f3venes Artistas del Ayuntamiento de Pamplona<\/p>\n<\/div>\n<div class=\"column\">\n<p>&nbsp;<\/p>\n<p>OBRA EN COLECCIONES \/ OPERA NELLE COLLEZIONI \/ WORK IN COLLECTIONS<\/p>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Colecci\u00f3n Arte Contempor\u00e1neo del Ayuntamiento de Pamplona<\/p>\n<p>Colecci\u00f3n de la Fundaci\u00f3n Coca- Cola<\/p>\n<p>Colecci\u00f3n de Arte Contempor\u00e1neo de la Comunidad de Madrid<\/p>\n<p>Colecci\u00f3n del Parlamento de Navarra<\/p>\n<p>Colecci\u00f3n Museo Colecciones ICO<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/p>\n<\/div>\n<\/div>\n<p><br style=\"clear: both;\" \/> <!--exhibitioninfo--><\/p>\n<h2 class=\"hdrSection\">Artwork in Exhibition<\/h2>\n<div class=\"gallery\">\n\n\t<ul id=\"slideshowgallery33630\" class=\"slideshowgallery33630\" style=\"display:none;\">\n\t\t\t\t\t<!-- From all slides or gallery slides -->\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">miren-doiz2<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"miren-doiz2\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz2.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz2-100x75.jpg\" alt=\"miren-doiz2\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">miren-doiz1<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"miren-doiz1\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz1.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz1-100x75.jpg\" alt=\"miren-doiz1\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">miren-doiz4<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"miren-doiz4\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz4.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz4-100x75.jpg\" alt=\"miren-doiz4\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">miren-doiz3<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"miren-doiz3\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz3.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz3-100x75.jpg\" alt=\"miren-doiz3\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">miren-doiz5<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"miren-doiz5\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz5.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz5-100x75.jpg\" alt=\"miren-doiz5\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">miren-doiz6<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"miren-doiz6\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz6.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz6-100x75.jpg\" alt=\"miren-doiz6\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">miren-doiz7<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"miren-doiz7\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz7.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz7-100x75.jpg\" alt=\"miren-doiz7\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">miren-doiz8<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"miren-doiz8\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/miren-doiz8.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" 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