{"id":1295,"date":"2015-02-12T23:16:20","date_gmt":"2015-02-12T23:16:20","guid":{"rendered":"http:\/\/www.artsituacions.com\/?p=1295"},"modified":"2017-05-21T21:30:37","modified_gmt":"2017-05-21T21:30:37","slug":"teresa-solar","status":"publish","type":"post","link":"https:\/\/www.artsituacions.com\/en\/artistas\/teresa-solar\/","title":{"rendered":"Teresa Solar"},"content":{"rendered":"<div id=\"authorInfo\">\n<div class=\"c1\">\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-1296\" src=\"http:\/\/www.artsituacions.com\/wp-content\/uploads\/2015\/02\/teresa-solar.jpg\" alt=\"teresa-solar\" width=\"200\" height=\"200\" \/><\/p>\n<ul class=\"tabs\">\n<li><a href=\"#\">Information<\/a><\/li>\n<li><a href=\"#\">Artwork<\/a><\/li>\n<li><a href=\"#\">CV<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"c2\">\n<div class=\"panes informacion\">\n<div class='scroll-pane'>\n<h3 class=\"title\">Information<\/h3>\n<p>Teresa Solar Abboud (Madrid, 1985) shows that in her work there is a continuous interest in language and in its processes of translation, in constant transformation.<\/p>\n<p>She is the daughter of a Spanish father and Egyptian mother, and speaks Arabic, although she can neither read nor write it, and she makes this circumstance a condition rather than a conditioning factor in her work, which explores the concept of translation in a broader sense than the textual; through the way and form with which she composes her stories. As she herself expresses in these words, \u201cdespite being based on real facts, nothing of what is described following is true \u2013 in fact nothing that anyone says has truly happened has truly happened. Nevertheless, what is described took place in the sense that it is told and therefore is true because it is told\u201d; finally narration and biographical past are blurred into a single discourse, in which as much is involved as is moved away.<\/p>\n<p>The exhibition brings together works corresponding to two different projects.The works corresponding to the photographic series Llano m\u00faltiple (Multiple Plain), 2012, takes images of a wooden house set in a valley in the middle of nowhere and in a state of semi-ruin, which still houses the memory of the shootings that in the course of almost a quarter of a century ago John Ford, Sam Peckimpah and Wim Wenders carried out, or on which that mythical fable has been superimposed, but which curiously release an anomalous truth. According to the artist herself, it deals with \u201cthe process of translation and interchange of historical spaces to their cinematographic reference and also the reverse process\u201d.<\/p>\n<p>The two works in Doble mordido (Double Bite) 2013, and the videoTodas las cosas que no est\u00e1n (All the things that are not there), 2013, correspond to another project, emerged following the tale about the scientific research by Harold Eugene Edgerton, inventor of the stroboscope and father of ultra-rapid photography, and the zoologist Donald R. Griffith, who had shown that a strange type of bat is capable of passing through solid bodies during its flight. But like the previous tale, this is only the basis on which rests Solar&#8217;s true proposal, in her own words, \u201creflection on recall and memory through the reconstruction of spaces\u201d, or, as Carlos Fern\u00e1ndez Pello acutely writes, \u201cin Doble Mordido, the technological advancements that Edgerton used to capture that which escaped the human eye recover the opacity of Griffith&#8217;s block.They are mystery machines because they served to filter atomic light or to protect the classified images of radiation, but also because, in being stripped of their technical function, they neither talk nor are of use, but are brushed against, touch and are brought into the abyss of that which is but is not visible\u201d.<\/p>\n<p>Mar\u00eda de Corral <br \/>\nLorena Mart\u00ednez de Corral <\/p>\n<p><!--info--><\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/div>\n<div class=\"panes aboutWork\">\n<div class='scroll-pane'>\n<h3 class=\"title\">Artwork<\/h3>\n<p>I have spent several years working on the concept of the set and of uprooting in the cinema and tourist industry. Many of these are recreations of stagings, shots and dialogues from determined films or photographs. I am interested in the process of translation and interchange of historical spaces to their cinematographic reference, but also in the reverse process through which the conditions of production of certain films or documentaries &#8220;leave a mark&#8221;, and themselves constitute historical events and geographical landmarks. Added to all this is the fact that, in one way or another, the referents go through me biographically. For example, my series of works on the &#8220;moving&#8221; and displacing of sets in Lawrence de Arabia has a relationship with my condition as illiterate in Arabic (the daughter of an Egyptian mother, able to speak but neither read nor write Arabic) and the invertebrate manner of making sense. In the same way, in my latest film on the photographer and engineer Harold Edgerton, I do not only articulate my video around a personal journey through the centre of the United States, but also the narrator is an actress who speaks for me and I act as my own character within the film. All these works reflect on the &#8220;bio-political&#8221;, anecdotal and muddy implications of great identity narratives.<\/p>\n<p>In my last project at the Formato C\u00f3modo gallery the work with language and translation is particularly important; the exhibition revolves around the materialisation of sign language and the gestural, abstract and corporal character inherent to any language. Starting from this premise, I use ceramics made on a potter&#8217;s wheel and sculptures to develop a series of works which translate the signs into forms and surfaces, and which speak to us of the physical resistance that accompanies the translation of that which one does not understand, of that which is foreign.<\/p>\n<p>Teresa Solar <\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/p>\n<\/div>\n<div class=\"panes cv\">\n<div class='scroll-pane'>\n<h3 class=\"title\">CV<\/h3>\n<p>Teresa Solar Abboud (Madrid, 1985). Vive y trabaja en Madrid \u2013 Vive e lavora a Madrid \u2013 Viu i treballa a Madrid &#8211; Lives and works in Madrid <\/p>\n<p>Estudi\u00f3 Bellas Artes en la UCM y curs\u00f3 estudios de posgrado en la UEM gracias a una beca de la Fundaci\u00f3n la Caixa. Entre otros proyectos ha expuesto individualmente en Matadero Madrid, en el Centro de Arte 2 de Mayo y en la Galer\u00eda Formato C\u00f3modo. <\/p>\n<p>Ha sido recientemente premiada con la beca de producci\u00f3n Fundaci\u00f3n Marcelino Bot\u00edn, con la que va a producir su pr\u00f3xima pel\u00edcula.Tambi\u00e9n ha ganado el premio Generaciones 2013 y la beca de producci\u00f3n CAM 2011, con la que realiz\u00f3 Todas las cosas que no est\u00e1n, su anterior mediometraje. <\/p>\n<p><strong>FORMACI\u00d3N \/ FORMAZIONE \/ FORMACI\u00d3 \/ EDUCATION <\/strong><\/p>\n<p>Licenciada en Bellas Artes por la UCM. Madrid\n<\/p>\n<p>Graduada en el M\u00e1ster Oficial en Arte Contempor\u00e1neo (MOAC) por la UEM. Madrid\n<\/p>\n<p>\n<strong> EXPOSICIONES INDIVIDUALES \/ EXPOSICIONS INDIVIDUALS \/ MOSTRE INDIVIDUALI \/ SOLO EXHIBITIONS<\/strong><\/p>\n<p>Todas las cosas que no est\u00e1n. Matadero Madrid. Foreign Office. Galer\u00eda Formato C\u00f3modo. Madrid <\/p>\n<p><strong>2012<\/strong> Sin hero\u00edsmos, por favor. CA2M. Madrid <\/p>\n<p>El llano m\u00faltiple. Galer\u00eda Formato C\u00f3modo. Madrid <\/p>\n<p>Los embajadores, Centro P\u00e1rraga. Murcia <\/p>\n<p><strong>2010<\/strong> Los embajadores, Galer\u00eda Vall Ort\u00ed. Valencia <\/p>\n<p>\n  <strong>EXPOSICIONES COLECTIVAS, BECAS Y PREMIOS \/ EXPOSICIONS COL\u00b7LECTIVES, BEQUES I PREMIS  \/ MOSTRE COLLETTIVE, BORSE DI STUDIO<br \/>\nE PREMI \/ GROUP EXHIBITIONS, AWARDS, CURATORIAL PROJECTS (selecci\u00f3n \/ selezione \/ selection) <\/strong><\/p>\n<p><strong>2015<\/strong> Reuni\u00f3n de hechos. Galer\u00eda Slowtrack, Ms. Rina Bowen Gallery <\/p>\n<p>The rescue of the effects, General Public. Berl\u00edn <\/p>\n<p>(&#8230;), Can Felipa, Barcelona Iceberg 2, Matadero. Madrid <\/p>\n<p>Premio artista revelaci\u00f3n, Jugada a tres bandas. Madrid <\/p>\n<p><strong>2015 &#8211; 2014<\/strong> Beca de producci\u00f3n Fundaci\u00f3n Marcelino Bot\u00edn <\/p>\n<p><strong>2012<\/strong> Premio Generaciones, Fundaci\u00f3n Caja Madrid <\/p>\n<p><strong>2011<\/strong> Appeal to probability, Het Wilde Weten. Holanda <\/p>\n<p>Premio ABC, Museo ABC. Madrid <\/p>\n<p>Rencontres internationales, <\/p>\n<p>Centre Pompidou, Museo Reina Sof\u00eda, Haus der Kulturen der Welt <\/p>\n<p>Beca de producci\u00f3n CAM. Selecci\u00f3n premio de artes pl\u00e1sticas ABC <\/p>\n<p><strong>2010 <\/strong>Entes, Galer\u00eda \u00c0ngels. Barcelona <\/p>\n<p>Los embajadores, Galer\u00eda Vall Ort\u00ed, Valencia <\/p>\n<p>Oscuro y salvaje, Casa Encendida. Madrid <\/p>\n<p>Rencontres Internationales, Haus der Kulturen der Welt, Berl\u00edn. Museo Reina Sof\u00eda. Madrid <\/p>\n<p>Premio &ldquo;Tentaciones&#8221;, Feria Estampa. Madrid <\/p>\n<p>Residencia en Glogauair, Berl\u00edn, Comunidad de Madrid <\/p>\n<p><strong>2009<\/strong> Rencontres Internationales, Centre Pompidou. Par\u00eds <\/p>\n<p>I am getting so far out, Galer\u00eda DUVE. Berl\u00edn <\/p>\n<p>Yo no tengo raz\u00f3n, Sala Offlimits. Madrid <\/p>\n<p>LOOP Festival, CCCB. Barcelona <\/p>\n<p>Beca de producci\u00f3n en artes pl\u00e1sticas, Comunidad de Madrid <\/p>\n<p>Selecci\u00f3n Instantes de Paisaje 09, CDAN. Huesca <\/p>\n<p>Selecci\u00f3n en II Certamen de dibujo contempor\u00e1neo Pilar y Andr\u00e9s Centenera Jaraba. Guadalajara <\/p>\n<p><strong>2008<\/strong> Beca para estudios de M\u00e1ster La Caixa <\/p>\n<p>Beca Erasmus de traslado a la Universidad de Wimbledon. Londres <\/p>\n<p><strong>2007<\/strong> Finalista IV Concurso de Dibujo UCM. Madrid <\/p>\n<p>Beca de Ayuda a la Producci\u00f3n INJUVE <\/p>\n<p><strong>2006<\/strong> Beca S\u00e9neca de traslado a la Universidad de Barcelona <\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:350px;overflow: auto;}<\/style>\n<\/p>\n<\/div>\n<\/div>\n<p><br style=\"clear: both;\" \/> <br style=\"clear: both;\" \/><!--exhibitioninfo--><\/p>\n<h2 class=\"hdrSection\">Artwork in Exhibition<\/h2>\n<div class=\"gallery\">\n\n\t<ul id=\"slideshowgallery41848\" class=\"slideshowgallery41848\" style=\"display:none;\">\n\t\t\t\t\t<!-- From all slides or gallery slides -->\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">teresa-solar3<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"teresa-solar3\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/teresa-solar3.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/teresa-solar3-100x75.jpg\" alt=\"teresa-solar3\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">teresa-solar7<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"teresa-solar7\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/teresa-solar7.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/teresa-solar7-100x75.jpg\" alt=\"teresa-solar7\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">teresa-solar5<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"teresa-solar5\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/teresa-solar5.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/teresa-solar5-100x75.jpg\" alt=\"teresa-solar5\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">teresa-solar4<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"teresa-solar4\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/teresa-solar4.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/teresa-solar4-100x75.jpg\" alt=\"teresa-solar4\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">teresa-solar6<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"teresa-solar6\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/teresa-solar6.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/teresa-solar6-100x75.jpg\" alt=\"teresa-solar6\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">teresa-solar11<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"teresa-solar11\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/teresa-solar11.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/teresa-solar11-100x75.jpg\" alt=\"teresa-solar11\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">teresa-solar10<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"teresa-solar10\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2017\/05\/teresa-solar10.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" 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