{"id":2058,"date":"2022-11-16T18:30:58","date_gmt":"2022-11-16T18:30:58","guid":{"rendered":"https:\/\/www.artsituacions.com\/es\/?p=2058"},"modified":"2023-02-22T18:42:24","modified_gmt":"2023-02-22T18:42:24","slug":"lucia-bayon","status":"publish","type":"post","link":"https:\/\/www.artsituacions.com\/en\/artistas\/lucia-bayon\/","title":{"rendered":"Lucia Bayon"},"content":{"rendered":"<div id=\"authorInfo\">\n<div class=\"c1\">\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full\" src=\"http:\/\/www.artsituacions.com\/wp-content\/uploads\/2022\/11\/lucia-bayon.jpg\" alt=\"lucia-bayon\" width=\"200\" height=\"200\" \/><\/p>\n<ul class=\"tabs\">\n<li><a href=\"#\">Information<\/a><\/li>\n<li><a href=\"#\">Artwork<\/a><\/li>\n<li><a href=\"#\">CV<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"c2\">\n<div class=\"panes informacion\">\n<div class=\"scroll-pane\">\n<h3 class=\"title\">Information<\/h3>\n<p>Luc\u00eda Bay\u00f3n Mendoza (1994) lives and works in Madrid.<\/p>\n<p>She graduated in Fine Arts at the Complutense University of Madrid and completed a stay at the Universit\u00e4t der K\u00fcnste Berlin. She holds a Master in Fine Arts from the Piet Zwart Institute in Rotterdam.<\/p>\n<p>She has shown her work widely at a national and European level in institutions, independent spaces and galleries, opening her first solo exhibition, ese entred\u00f3s, with Intersticio (2022). She has received various awards such as the Visual Arts Scholarship from Fundaci\u00f3n Bot\u00edn(2019), Circuitos de Artes Pl\u00e1sticas de la Comunidad de Madrid (2020), and Generaciones award from Fundaci\u00f3n Montemadrid (2020).<\/p>\n<p>She has done residencies at the SommerAkademie in Salzburg (2019), Matadero Madrid (2022) and Tabakalera Donostia (2022).<\/p>\n<p>In addition, alongside with Lukas Me\u00dfner, Bay\u00f3n is co-founder of digestivo: an itinerant curatorial initiative and errant project space. digestivo acts as host to other artists\u2019s work, while exploring fermentation and preservation processes, and fostering a space for insightful culinary and communal encounters.<\/p>\n<p><!--info--><\/p>\n<\/div>\n<style>.scroll-pane{width:800px; height:450px; overflow:auto;}<\/style>\n<\/div>\n<div class=\"panes aboutWork\">\n<div class=\"scroll-pane\">\n<h3 class=\"title\">Artwork<\/h3>\n<p>I center my practice around making. Making interests me from the field of study of continuity versus discontinuity. I think a lot about repetition. I wonder why try to press a seal on running water or how to do it. I am interested in the notions of flow, fold, and semantic field of circulation associated with a methodology that tries to become a multi-fold dynamic that changes at a relatively stable rate.<\/p>\n<p>The materialization of my practice is built from sculpture and language. Word and matter are conceived as elements immersed in a continuous sway where I try to register something that is halfway between one and the other. I am interested in exploring the possibilities that arise from composing from a series of elements of the same semantic field, the limits of translation between language (word, writing, moulding cast), and matter (malleable element, mutable content) to generate visual terms (form, model).<\/p>\n<p>The sculptural productions resulting from this exercise are articulated from the minor, the discarded, the excess, and the codified. Combining industrial processing techniques, mechanical blending or shredding, and craft traditions, I try to address the workings of specific production methods and the conditions under which this labor is produced. The very insistence on the continuous repetition and accumulation of recurring gestures, rhythms and motifs culminates in the perception of a stasis or moment of arrest of overlapping contents, thus provoking the necessary discontinuity that is change, and the possibility for the practice to adopt a sensitivity to remain speculative. Here I point to an idea of convening, while sustaining a circuit that entangles movements of circularity, processes of deconstruction, and the residual in slow becoming.<\/p>\n<p>Recent work touches on the history of the fabric of industrialization and the production spaces that enable the very making of the works. Thinking from language, and particularly from verbs -fields of action- associated with sculpture, pieces governed by the mechanics of the machines used for their production have been outlined, examining the translation of physical resonances through various materials and carrying out tasks such as soaking, pressing, draining, tightening or compacting.<\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:450px;overflow: auto;}<\/style>\n<\/div>\n<div class=\"panes cv\">\n<div class=\"scroll-pane\">\n<h3 class=\"title\">CV<\/h3>\n<p>Lucia Bayon Mendoza<br \/>\n1994, Madrid.<br \/>\nLives and works in Madrid<br \/>\nwww.luciabayon.com<\/p>\n<p><em>Education<\/em><br \/>\n2018-2020 MFA. Piet Zwart Institute. Rotterdam, NL<br \/>\n2012-2016 BFA. Universidad Complutense de Madrid, ES<br \/>\n2015-2017 Klasse Josephine Pryde. Universitit der Kiinste. Berlin, DE<\/p>\n<p><em>Solo and duo shows<\/em><br \/>\n2022 Duo presentation with Andr\u00e9s Izquierdo. Intersticio at Arco Lisboa, PT.<br \/>\n2022 ese entred\u00e9s. Intersticio. Madrid, ES<br \/>\n2021 How blue the sky was. Duo with Nora Aurrekoetxea. Haus Wien. Vienna, AT<br \/>\n2020 Spoil Conduct. Duo with Lukas MeBner. Available and the Rat. Rotterdam, NL<\/p>\n<p><em>Group exhibitions (selection)<\/em><br \/>\n2023 ArtSituactons. Madrid, ES<br \/>\n2022 ITINERARIOS XXVIII. Fundaci\u00e9n Centro Botin. Santander, ES<br \/>\n2022 Colapso. TEA. Tenerife, ES<br \/>\n2022 Raices por defecto. Sala de Arte Joven . Madrid, ES<br \/>\n2022 Una historia del arte reciente 1960-2020. Fundaci\u00e9n Joan March. Mallorca, ES<br \/>\n2021 Material Contexts. Piet Zwart Institute. Het Archief. Rotterdam, NL<br \/>\n2021 Hot Links. Pradiauto. Madrid, ES<br \/>\n2021 Claro del Bosque. Intersticio. Madrid, ES<br \/>\n2021 Generacidn 2021. La Casa Encendida. Madrid, ES<br \/>\n2020 Cay\u00e9 is casa, trep\u00e9 la dama. Circuitos XXX 1. Sala de Arte Joven. Madrid, ES<br \/>\n2020 Scratching the surface. Galeria Travesia Cuatro. Madrid, ES<br \/>\n2020 Open Studios. Piet Zwart Institute. Rotterdam, NL<br \/>\n2020 Short Pieces That Move. Publication launch and readings.PZI. Rotterdam, NL<br \/>\n2019 Farmers Salad. Kunsthuis SYB. Beetsterzwaag, NL.<br \/>\n2019 Pulp Puppets. Twenty One Southend. Southend On Sea, UK.<br \/>\n2019 B_dum_psssh. LocatieZ. Den Haag, NL<br \/>\n2019 Studios Open. Piet Zwart Institute, Rotterdam, NL<br \/>\n2018 Sobre la Belleza. CC. Can Felipa. Barcelona, ES<br \/>\n2018 Valar Fyr. SteenMuseet. Gotland, SE<br \/>\n2018 Archipi\u00e9lago. Antigiia Embajada Britanica. Madrid ES<br \/>\n2017 Open Studio Sunday. Ashley. Berlin, DE<br \/>\n2017 Devenir mundo. La Colmena at Urg31. Madrid, ES<br \/>\n2017 JustMad emergent Art Fair Madrid, ES<br \/>\n2016 II convocatoria. La Colmena at Urg3l. Madrid, ES<br \/>\n2016 Rundgang Klasse Josephine Pryde. Universitit der Kiinste Berlin, DE<\/p>\n<p><em>Grants | distinctions<\/em><br \/>\n2022 Shortlisted for ArtSituacions III. Barcelona, ES<br \/>\n2020 XXI Certamen Generaciones. Fundaci\u00e9n Montemadrid. Madrid, ES<br \/>\n2020 XXXI Circuitos de Artes Plasticas. Comunidad de Madrid, ES<br \/>\n2019 Beca de Artes Plasticas. Fundacion Botin. Santander, ES<br \/>\n2018 Creaci\u00e9 Artistica d\u2019Arts Visuals, CC. Can Felipa. Barcelona, ES<\/p>\n<p><em>Residencies<\/em><br \/>\n2022 Tabakalera. Donostia, ES<br \/>\n2022 Centro de Residencias Matadero Madrid. Madrid, ES<br \/>\n2019 CA-ALPPLSYBJJOAJD &#8211; MPING. Kunsthuis SYB. Beetsterzwaag, NL<br \/>\n2019 In the Conglomerate with Michael Beutler. SommerAkademie Salzburg, AT<br \/>\n2018 Valar Fyr. Gottland, SE<br \/>\n2015 Artists and designers in residence. Faculdade de Belas Artes. Lisboa, PT<\/p>\n<p><em>Talks\/Teaching<\/em><br \/>\n2022 Artist talk. EFTI. Madrid, ES<br \/>\n2022 Artist talk. IED. Madrid, ES<br \/>\n2021 Artist talk. Universidad Nebrija. Madrid, ES<\/p>\n<p><em>Publications\/Bibliography<\/em><br \/>\n2022 ITINERARIOS XXVIII. Fundaci\u00e9n Centro Botin. Santander, ES<br \/>\n2022 Raices por defecto. Se busca comisario. Comunidad de Madrid, Madrid,ES<br \/>\n2021 Generaci\u00e9n 202\/. Fundaci\u00e96n Montemadrid. Madrid, ES<br \/>\n2021 Cay Ja casa, trepo la dama. XXXI Circuitos Artes Plasticas. Comunidad de<br \/>\nMadrid. Futuro studio, Madrid, ES<br \/>\n2020 Short Pieces That Move. Edited by MFA students and Kate Briggs, Piet<br \/>\nZwart Institute, R\u00e9terdam, NL. Limited edition of 200 copies.<br \/>\n2019 Room !, Room 3. Podcast &#8220;Your Silence Will Not Protect You\u201d. Piet Zwart<br \/>\nInstitute. Rotterdam, NL. http:\/\/mixlr.com\/yoursilencewillnotprotectyou\/<br \/>\n2018 Take a Note Soft Hands Soft Hands. MFA Piet Zwart Institute, R\u00e9terdam, NL.<br \/>\nLimited edition of 50 copies.<br \/>\n2018 Sobre Ja Bellesa, Catdlogo de exposici\u00e9n. CC. Can Felipa. Barcelona, ES<br \/>\n2016 Casa Tomada. Limited edition of 10 copies.<\/p>\n<p><em>Curatorial<\/em><br \/>\ndigestivo (2019- ) with Lukas MeBner. Rotterdam, NL www digestivo.in<br \/>\n2020 Tempest Gourmand. Haus Wien. Vienna, AT<br \/>\n2020 A voice can only break a glass that already has a crack in it. Rotterdam, NL<br \/>\n2019 Colofonia liquida y saliva. Rotterdam, NL<br \/>\n2019 Mocdring I. Rotterdam, NL<br \/>\n2019 A tension: Gni8 aus der Kiiche. digestivo #1. Rotterdam, NL<\/p>\n<p><em>Work in collections<\/em><br \/>\nDKV Foundation. Madrid, ES.<br \/>\nMontemadrid Foundation. Madrid, ES\n<\/div>\n<style>.scroll-pane{width: 800px;height:450px;overflow: auto;}<\/style>\n<\/div>\n<\/div>\n<p><br style=\"clear: both;\" \/><\/p>\n<h2 class=\"hdrSection\">Artwork in Exhibition<\/h2>\n<div class=\"gallery\">\n\t<ul id=\"slideshowgallery52682\" class=\"slideshowgallery52682\" style=\"display:none;\">\n\t\t\t\t\t<!-- From all slides or gallery slides -->\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">armar, 2022, detalle 2<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"armar-2022-detalle-2\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/armar-2022-detalle-2.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/armar-2022-detalle-2.jpg\" alt=\"armar-2022-detalle-2\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">armar, 2022<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"armar-2022\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/armar-2022.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/armar-2022.jpg\" alt=\"armar-2022\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">bolsillo, 2022 2<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"bolsillo-2022-2\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/bolsillo-2022-2.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/bolsillo-2022-2.jpg\" alt=\"bolsillo-2022-2\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">Isatide_01<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"isatide01\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/isatide_01.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/isatide_01.jpg\" alt=\"isatide01\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">ObraNueva_Lo que valen son tus brazos_Detalle02<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"obranuevalo-que-valen-son-tus-brazosdetalle02\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/obranueva_lo-que-valen-son-tus-brazos_detalle02.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/obranueva_lo-que-valen-son-tus-brazos_detalle02.jpg\" alt=\"obranuevalo-que-valen-son-tus-brazosdetalle02\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">ObraNueva_Lo que valen son tus brazos_Detalle04<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"obranuevalo-que-valen-son-tus-brazosdetalle04\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/obranueva_lo-que-valen-son-tus-brazos_detalle04.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/obranueva_lo-que-valen-son-tus-brazos_detalle04.jpg\" alt=\"obranuevalo-que-valen-son-tus-brazosdetalle04\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">ObraNueva_Lo que valen son tus brazos_Detalle05<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"obranuevalo-que-valen-son-tus-brazosdetalle05\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/obranueva_lo-que-valen-son-tus-brazos_detalle05.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/obranueva_lo-que-valen-son-tus-brazos_detalle05.jpg\" alt=\"obranuevalo-que-valen-son-tus-brazosdetalle05\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">puntal, 2021<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"puntal-2021\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/puntal-2021.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/puntal-2021.jpg\" alt=\"puntal-2021\" 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