{"id":2118,"date":"2022-11-17T10:19:58","date_gmt":"2022-11-17T10:19:58","guid":{"rendered":"https:\/\/www.artsituacions.com\/es\/?p=2118"},"modified":"2023-02-22T18:50:51","modified_gmt":"2023-02-22T18:50:51","slug":"marie-luce-nadal","status":"publish","type":"post","link":"https:\/\/www.artsituacions.com\/en\/artistas\/marie-luce-nadal\/","title":{"rendered":"Marie Luce Nadal"},"content":{"rendered":"<div id=\"authorInfo\">\n<div class=\"c1\">\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-1296\" src=\"http:\/\/www.artsituacions.com\/wp-content\/uploads\/2022\/11\/marie-luce-nadal.jpg\" alt=\"marie-luce-nadal\" width=\"200\" height=\"200\" \/><\/p>\n<ul class=\"tabs\">\n<li><a href=\"#\">Information<\/a><\/li>\n<li><a href=\"#\">Artwork<\/a><\/li>\n<li><a href=\"#\">CV<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"c2\">\n<div class=\"panes informacion\">\n<div class=\"scroll-pane\">\n<h3 class=\"title\">Information<\/h3>\n<p><span style=\"font-weight: 400;\">Marie-Luce Nadal was born in 1984 in Perpignan, France<\/span><\/p>\n<p><span style=\"font-weight: 400;\">She lives and works mainly in Paris, France\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Marie-Luce Nadal is a queer artist and researcher.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Her research stands at the crossroads between artistic and scientific exploration. The atmosphere is her main material, which she uses to reproduce clouds, to capture lightning, to cultivate mist and to provoke rain. Always haunted by the same question: how to capture the air, how to possess the elusive?\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Between industrial production and utopian dreams, Marie-Luce Nadal continues the war started by her winegrowing ancestors: mastering the sky. <\/span><span style=\"font-weight: 400;\">Like a modern-day alchemis<\/span><span style=\"font-weight: 400;\">t, <\/span><span style=\"font-weight: 400;\">she creates mist and cloud formations, follows the flow of breath in order to reveal the topography of a wandering spirit, and tries to control the behaviour of insects. <\/span><span style=\"font-weight: 400;\">She elaborates machine-works that have the particularity of mixing plastic uniqueness, scientific research and technical viability. Through her works, installations and performances, Marie-Luce Nadal gives the sky a symbolic and political tension. <\/span><span style=\"font-weight: 400;\">Nadal\u2019s works often involve the use of advanced technologies, and her oeuvre includes objects, photographs, videos, installations and performances.<\/span><\/p>\n<p><!--info--><\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:450px;overflow: auto;}<\/style>\n<\/div>\n<div class=\"panes aboutWork\">\n<div class=\"scroll-pane\">\n<h3 class=\"title\">Artwork<\/h3>\n<p><span style=\"font-weight: 400;\">\u00abMy dream, I want to see it in the fray,\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I want it to be real, I want it to be armed!\u00bb\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Lauro de Bosis, Icarus (1927)\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Marie-Luce Nadal\u2019s artworks are the clues of a mythical narrative that she invents and unfolds through her\u00a0 interventions, exhibitions and performances. The sources of her work are spontaneously mixed with intimate\u00a0 and family history, scientific research, agricultural and peasant knowledge, ancestral beliefs and contempo rary artistic practice. Marie-Luce Nadal gives herself the means to recreate a world, worlds, to better unders tand and inhabit ours. An energetic and vital challenge &#8211; sometimes dangerous!\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Artist-researcher, artist-engineer, architect and set designer by training, she has been working for more than\u00a0 ten years with scientists, making their laboratories her studio. Her inventions summon the elements, use\u00a0 mechanics, play with physical forces. Her machines are attempts to master and appropriate natural pheno mena. \u00abEach production is a new experiment, which tries to understand in a sensitive way our relationship\u00a0 with the atmosphere\u00bb she explains. Her research tells of the age-old human obsession to measure up to nature\u00a0 and to control it. In the 1960s Yves Klein imagined an Architecture of the Air, Olafur Eliasson more recently\u00a0 created the Weather project (an artificial sun raised to a height of thirty-five meters and multiplied by a set\u00a0 of mirrors in the lobby of the Tate Modern in London). Another daughter of Daedalus, Marie-Luce Nadal\u00a0 applies her art to subject nature to its own laws.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00abI consider this concept, the atmosphere, as a spatial structure of reference ensuring a form of immunity to\u00a0 any human being and exerting on him reciprocally an action.\u00bb Born into a family of Catalan winegrowers,\u00a0 the artist learned early on to deal with the vagaries of nature and weather phenomena. She expresses here\u00a0 what irrigates her work, the unceasing dialogue with the sky, its attraction as well as its danger. Her works are\u00a0 instruments for daydreaming, weapons to ward off the anxiety of being in the world as much as to express it.\u00a0 Marie-Luce Nadal has thus created a Madeleine Crossbow made of steel and bra wires, equipped with silver\u00a0 iodide for Faire pleurer les nuages (2015). She designed a portable Lightning Extractor (whipping through\u00a0 the air, the user can capture its electrical charge) to harvest lightning strikes, loaded into the ammunition that\u00a0 arms the AF21 (2018), a rifle equipped with a mirror-like sight to administer a lightning strike to oneself,\u00a0 swallowing a dose of sky-air energy. In a fencing costume, adorned with her Mask of the Divinity of Mist\u00a0 (2017), she exposes herself as a warrior, the heroine of a new narrative, that of the poetic hijacking of science\u00a0 and the reappropriation by women of the masculine culture of the earth.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Gestures, performances, protocols, the works that remain are usual objects, tools, inventions that we can\u00a0 seize. La Fabrique du vaporeux (2014) is a cloud-capturing machine, a mobile laboratory that allows us to\u00a0 take samples of \u00abpure essences of clouds\u00bb around the world in order to make them, at will. They are preser ved in Eoloria (2015), cloud aquariums and dreamscapes, micro-territories of which she proposes that we\u00a0 become the lucky owners.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Demiurgic fantasies or examples of \u00abreduced models\u00bb of the world, according to the word of Claude Le vi-Strauss (La pens\u00e9e sauvage, 1962), to access the knowledge of reality? The works of Marie-Luce Nadal\u00a0 weave little by little a singular fiction, with its own vocabulary &#8211; which joins the drunkenness of the wine to\u00a0 the vertigo of the sky in the V(a)in des Gr\u00e2ces \u00e0 l\u2019usage de tous ceux qui cherchent \u00e0 se saisir de ce qui ne\u00a0 s\u2019attrape pas (2016) -, with its network of signs and objects. A song that could be the exhilarating Pink Floyd\u00a0 song for Obscured by clouds.\u00a0<\/span><\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:450px;overflow: auto;}<\/style>\n<\/div>\n<div class=\"panes cv\">\n<div class=\"scroll-pane\">\n<h3 class=\"title\">CV<\/h3>\n<p><strong> Education<\/strong><\/p>\n<p>2017\u00a0 Ph.D. EnsAD, PSL Research University, Paris, France<br \/>\nPractice based Ph.D. Science, Art, Creation, Recherche (SACRe)<br \/>\nDissertation title: De Lents Semencements (Slow Seeding) Advisors: Nadeije Laneyrie Dagen (EnsAD, ENS, Art Theory) and Eduardo Wesfreid (PMMH-ESPCI, Physics)<\/p>\n<p>2012 M.F.A. \u00c9cole nationale sup\u00e9rieure des Arts D\u00e9coratifs (EnsAD), Paris, France<\/p>\n<p>2009 M.Arch. \u00c9cole Nationale Sup\u00e9rieure d\u2019Architecture de Montpellier, France<\/p>\n<p>2005 B.Arch. \u00c9cole Nationale Sup\u00e9rieure d\u2019Architecture de Montpellier, France<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Solo Shows<\/strong><\/p>\n<p>2021 Make the Clouds Cry, Pengerkatu7Tyohuone, Helsinki, Finland<br \/>\nAwE, Online exhibition, Artist with Evidence, New York City, NY, USA<\/p>\n<p>2020 Accrochage, Atelier Basfroi, Paris, France<br \/>\n(R)\u00e9parer le Ciel, Galerie Faure Beaulieu and Galerie S35, Paris, France<\/p>\n<p>2019 Open Window, Fabernovel, Private Collection, Paris, France L\u2019Orf\u00e9o: Op\u00e9ra Luette, Mus\u00e9e des Abattoirs, Toulouse, France<\/p>\n<p>2018 AuraFulminis 21, Galerie Hus, Paris, France<\/p>\n<p>2017 Solid Precipitation, LMAK Gallery, New York City, NY , USA<br \/>\nDe Lents Semencements, EnsAD, Paris, France<\/p>\n<p>2015 La Fabrique des Nuages, Palais de Tokyo, Paris, France<\/p>\n<p>2014 Sur les pas d\u2019Edgar Sibel, Cit\u00e9 Internationale des Arts, Paris, France<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Group Shows<\/strong><\/p>\n<p>2022<br \/>\nThe Gaia Hypothesis, The Elemental, Palm Springs, CA, USA<br \/>\nVaria, Centre d\u2019Art Contemporain de Meymac, France<br \/>\nLes \u00e9chos d\u2019un temps lointain arrivent en sifflant sur le sable, Poush, Aubervilliers, France<br \/>\nEspace, Native Volume III, Paris, France<br \/>\nNovac\u00e8ne, UTOPIA Lille 3000, Gare Saint-Saveur, Lille, France<br \/>\nArt Rotterdam [fair], Galerie Bacqueville, Rotterdam, Netherlands<br \/>\nHacking Identity Dancing Diversity, ZKM for Esch2022, European Culture Capital, Luxembourg<br \/>\nArt Paris [fair], Fondation Ruinart and Art of Change 21, Paris, France<br \/>\nLa Mati\u00e8re du Monde, Galerie Municipale Jean Collet, Vitry, France<\/p>\n<p>2021<br \/>\nRegarder vers le ciel, Galerie des Hospices, Canet en Roussillon, France<br \/>\nDones, Chapelle des Arm\u00e9es, Am\u00e9lie les Bains, France<br \/>\nParadis Artificiels, Galerie Bacqueville, Lille, France<br \/>\nDans l\u2019\u0153il de Daniel Pommereulle, Galerie Christophe Gaillard, Paris, France Le Regard du Temps, CulturFoundry, Paris, France<br \/>\nAvalanche, PAL Project, Paris, France<br \/>\nArt Paris [fair], Galerie Faure Beaulieu, Paris, France<br \/>\n2020 Programme sp\u00e9cial, Poush Manifesto, Clichy, France O.N, Octobre Num\u00e9rique, Arles, France<br \/>\nDie Wolken und die Wolke, Museum f\u00fcr Gegenwartskunst, Siegen, Germany In The Clouds, Stavanger Art Museum, Stavanger, Norway<br \/>\nSP Arte<\/p>\n<p>2020<br \/>\n[fair], Luis Maluf Gallery, Sao Paulo, Brazil<\/p>\n<p>2019<br \/>\nNegative Space, ZKM, Karlsruhe, Germany Collapse, Saint Agnes Gallery, Berlin, Germany<br \/>\nGaleriste [fair], Galerie Faure Beaulieu, Paris, France<\/p>\n<p>2018<br \/>\nRegarder l\u2019agreste paysage, Afiac, France<br \/>\nL\u2019intelligence du r\u00eave, Galerie EOF, Paris, France<br \/>\nVertige, Centre d\u2019art Labanque, B\u00e9thune, France<\/p>\n<p>2017<br \/>\nCloud >< Forest, New Tretyakov Gallery, Moscow, Russia\nCo-Mutation, Maison des Arts Georges et Claude Pompidou, Cajar, France\nL\u2019\u00e9ternit\u00e9 par les Astres, Centre d\u2019art Les Tanneries, Amilly, France\n\n2016\nBirds and Spaces, B4belAb Gallery, Oakland, CA, USA\nLumi\u00e8re de l\u2019Aube (Yoko Ono's guest), Mus\u00e9e d\u2019Art Contemporain de Lyon, France\n\n2015\nFormes El\u00e9mentaires, Plan\u00e9tarium de Vaulx-en-Velin, France\nNuits des danses perdues, Palais de Tokyo: Hors les Murs, Paris, France\nLaps, Carreau de Cergy, Cergy Pontoise, France\nLe parfait fl\u00e2neur, Palais de Tokyo: Hors les Murs, Biennale de Lyon, France Visions d\u2019\u00e9pig\u00e9n\u00e9tique, Galerie de la Cit\u00e9 Internationale des Arts, Paris, France\n\n2014\nCapitaine Futur, Gait\u00e9 Lyrique, Paris, France\n\n<strong>Performances<\/strong><\/p>\n<p>2020<br \/>\nCollection Priv\u00e9e, Pr\u00e9 aux pierres, ADIAF, Conde sur Versgre France<\/p>\n<p>2019<br \/>\nThe Very First Sensorium of Artistic Research, Finnish Institute, Paris, France<br \/>\nFestival Nuit Fictions, Ateliers de Paris CDCN, Paris, France<\/p>\n<p>2018<br \/>\nL\u2019orf\u00e9o: Op\u00e9ra Luette, Mus\u00e9e des Abattoirs,Toulouse, France<br \/>\nL\u2019intelligence du r\u00eave, Galerie Eof, Paris, France<br \/>\nIcadeArt and DesignLab, Aubervilliers, France<br \/>\nFestival Mar\u00e9e Basse, Trouville, France<br \/>\nPerformance Pets, Maleki House, Private Collection, London, UK<\/p>\n<p>2017<br \/>\nCo-mutation, Maison des Arts Georges et Claude Pompidou, Cajar, France L\u2019\u00e9ternit\u00e9 par les Astres, Centre d\u2019art des Tanneries, Amilly, France<\/p>\n<p>2016<br \/>\nBeneath the Moon, LASALLE, College of the Arts, Singapore Andr\u00e9 et les M\u00e9t\u00e9ores, Galerie Antoine, Paris, France<\/p>\n<p>2015<br \/>\nLe Parfait Fl\u00e2neur, Palais de Tokyo: Hors les Murs, Biennale de Lyon, France Vision d\u2019\u00e9pig\u00e9n\u00e9tique, Institut Curie, Paris, France<br \/>\nNuit des danses perdues, Palais de Tokyo: Hors les Murs, Paris, France<\/p>\n<p><strong><br \/>\nArt Residencies<\/strong><br \/>\n2022 French Institute, Phnom Penh, Cambodgia (October -December)<br \/>\n2018 Fondation Hartung-Bergman, Antibes, France<br \/>\n2017 Maison Daura, Residence Internationale d\u2019Artistes, Saint Cirq Lapopie, France 2014-17 Cit\u00e9 Internationale des Arts, Paris, France<br \/>\n2009 Pimpolhos, Santo Cristovo, Rio de Janeiro, Brazil<br \/>\n2006 Center for Advanced Studies on Arid Zones, Atacama desert, Chile<\/p>\n<p><strong>Awards and Grants<\/strong><br \/>\n2022 ArtSituacions III Award, Barcelona, Spain 2021 Prize Art Of Change 21, Paris, France<br \/>\n2020 DICREAM Research Grant, Centre National de Cin\u00e9matographie (CNC), Paris, France 2018 Mezzanine Award for Contemporary Art, Mus\u00e9e des Abattoirs, Toulouse, France<br \/>\n2013 Gautier Delaye Award, Cit\u00e9 Internationale des Arts, Paris, France 2012 Doctoral grant SACRe, PSL Research University, Paris, France<br \/>\n2006 Scholarship of the French Ministry of Culture, Atacama desert, Chile<\/p>\n<\/div>\n<style>.scroll-pane{width: 800px;height:450px;overflow: auto;}<\/style>\n<\/div>\n<\/div>\n<p><br style=\"clear: both;\" \/><\/p>\n<h2 class=\"hdrSection\">Artwork in Exhibition<\/h2>\n<div class=\"gallery\">\n\t<ul id=\"slideshowgallery56926\" class=\"slideshowgallery56926\" style=\"display:none;\">\n\t\t\t\t\t<!-- From all slides or gallery slides -->\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">ObraNueva_a_summer_of_celebrations_NEW WORK<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"obranuevaasummerofcelebrationsnew-work\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/obranueva_a_summer_of_celebrations_new-work.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/obranueva_a_summer_of_celebrations_new-work.jpg\" alt=\"obranuevaasummerofcelebrationsnew-work\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">AURAFULMINIS<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"aurafulminis\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/aurafulminis.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/aurafulminis.jpg\" alt=\"aurafulminis\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">EXTRACTEUR_FOUDRE02<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"extracteurfoudre02\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/extracteur_foudre02.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/extracteur_foudre02.jpg\" alt=\"extracteurfoudre02\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">FACTORY_OF_THE_VAPOROUS<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"factoryofthevaporous\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/factory_of_the_vaporous.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/factory_of_the_vaporous.jpg\" alt=\"factoryofthevaporous\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\n\t\t\t\t<li>\n\t\t\t\t\t<h3 style=\"opacity:70;\">MUNITIONDEFOUDRE<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<span data-alt=\"munitiondefoudre\">https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/munitiondefoudre.jpg<\/span>\n\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a><img class=\"skip-lazy\" src=\"https:\/\/www.artsituacions.com\/wp-content\/uploads\/2023\/02\/munitiondefoudre.jpg\" alt=\"munitiondefoudre\" 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